Raz Chen‐Morris
Biographic Data
| ID | 5650030 |
|---|---|
| NAME | Raz Chen‐Morris |
| GIVEN NAMES | Raz |
| FAMILY NAME | Chen‐Morris |
| SIGNATURE | MORRIS R C |
| AFFILIATIONS | Bar-Ilan University |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 9 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Instruments of Knowledge
Leon Battista Alberti and Nicholas Cusanus
Modes of writing and early modern modes of scientific observation
The emergence of new scientific styles of thought and practices during the seventeenth century was intricately tied to the development of new cultural sensitivities and challenging experimentation with modes of expression in music, literature and the visual arts, generally known as the Baroque. The question of how to relate the pretences of natural philosophers and mathematicians of the period to present coherent systems of the world with the anx…
The contested domain of seventeenth-century natural knowledge
Renaissance Humanism and the Ambiguities of Modernity
Over the course of the twentieth century, the search for the origins of modernity shifted from the presumption of progress and emancipation to a more nuanced notion of modernity’s tensions and ambi
The Copernican Question
Science in the Age of Baroque
Nature’s drawing
Baroque Optics and the Disappearance of the Observer
Seventeenth-century optics naturalizes the eye while estranging the mind from objects. A mere screen, on which rests a blurry array of light stains, the eye no longer furnishes the observer with genuine re-presentations of visible objects. The intellect is thus compelled to decipher flat images of no inherent epistemic value, accidental effects of a purely causal process, as vague, reversed reflections of wholly independent objects. Reflecting on…
From Emblems to Diagrams
Kepler's treatise on optics of 1604 furnished, along with technical solutions to problems in medieval perspective, a mathematically-based visual language for the observation of nature. This language, based on Kepler's theory of retinal pictures, ascribed a new role to geometrical diagrams. This paper examines Kepler's pictorial language against the backdrop of alchemical emblems that flourished in and around the court of Rudolf II in Prague. It h…
The Archaeology of the Inverse Square Law
Shadows of Instruction
Kepler's Somnium is a fantastical story about the world on the moon. It presents a heliocentric world-picture established through a total conversion of the meaning and place of observation in the hierarchy of knowledge. This epistemological program is construed through a critical adaptation of Lucian's "True Story," and Plutarch's "The Face on the Moon." Utilizing his new optics, embodied in the Camera obscura, Kepler inverts the meaning of these…
The Archaeology of the Inverse Square Law
Painting the Heavens
Baroque Optics and the Disappearance of the Observer
Seventeenth-century optics naturalizes the eye while estranging the mind from objects. A mere screen, on which rests a blurry array of light stains, the eye no longer furnishes the observer with genuine re-presentations of visible objects. The intellect is thus compelled to decipher flat images of no inherent epistemic value, accidental effects of a purely causal process, as vague, reversed reflections of wholly independent objects. Reflecting on…
Shadows of Instruction
Kepler's Somnium is a fantastical story about the world on the moon. It presents a heliocentric world-picture established through a total conversion of the meaning and place of observation in the hierarchy of knowledge. This epistemological program is construed through a critical adaptation of Lucian's "True Story," and Plutarch's "The Face on the Moon." Utilizing his new optics, embodied in the Camera obscura, Kepler inverts the meaning of these…
Science in the Age of Baroque
Nature’s drawing
From Emblems to Diagrams
Kepler's treatise on optics of 1604 furnished, along with technical solutions to problems in medieval perspective, a mathematically-based visual language for the observation of nature. This language, based on Kepler's theory of retinal pictures, ascribed a new role to geometrical diagrams. This paper examines Kepler's pictorial language against the backdrop of alchemical emblems that flourished in and around the court of Rudolf II in Prague. It h…
Painting the Heavens
Shadows of Instruction
Kepler's Somnium is a fantastical story about the world on the moon. It presents a heliocentric world-picture established through a total conversion of the meaning and place of observation in the hierarchy of knowledge. This epistemological program is construed through a critical adaptation of Lucian's "True Story," and Plutarch's "The Face on the Moon." Utilizing his new optics, embodied in the Camera obscura, Kepler inverts the meaning of these…
The Archaeology of the Inverse Square Law
The Archaeology of the Inverse Square Law
From Emblems to Diagrams
Kepler's treatise on optics of 1604 furnished, along with technical solutions to problems in medieval perspective, a mathematically-based visual language for the observation of nature. This language, based on Kepler's theory of retinal pictures, ascribed a new role to geometrical diagrams. This paper examines Kepler's pictorial language against the backdrop of alchemical emblems that flourished in and around the court of Rudolf II in Prague. It h…
Baroque Optics and the Disappearance of the Observer
Seventeenth-century optics naturalizes the eye while estranging the mind from objects. A mere screen, on which rests a blurry array of light stains, the eye no longer furnishes the observer with genuine re-presentations of visible objects. The intellect is thus compelled to decipher flat images of no inherent epistemic value, accidental effects of a purely causal process, as vague, reversed reflections of wholly independent objects. Reflecting on…
Nature’s drawing
Science in the Age of Baroque
The Copernican Question
Renaissance Humanism and the Ambiguities of Modernity
Over the course of the twentieth century, the search for the origins of modernity shifted from the presumption of progress and emancipation to a more nuanced notion of modernity’s tensions and ambi
The contested domain of seventeenth-century natural knowledge
Leon Battista Alberti and Nicholas Cusanus
Modes of writing and early modern modes of scientific observation
The emergence of new scientific styles of thought and practices during the seventeenth century was intricately tied to the development of new cultural sensitivities and challenging experimentation with modes of expression in music, literature and the visual arts, generally known as the Baroque. The question of how to relate the pretences of natural philosophers and mathematicians of the period to present coherent systems of the world with the anx…
Instruments of Knowledge
Philosophy (9 works) · Art (8 works) · Epistemology (8 works) · History (7 works) · Archaeology (5 works) · Art history (5 works) · History of Science and Medicine (5 works) · Physics (5 works) · History (4 works) · Kepler (4 works)