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Raz Chen‐Morris

Biographic Data

ID5650030
NAMERaz Chen‐Morris
GIVEN NAMESRaz
FAMILY NAMEChen‐Morris
SIGNATUREMORRIS R C
AFFILIATIONSBar-Ilan University
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS9
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Instruments of Knowledge

    Open Access•Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Renaissance Quarterly•2025

  • Leon Battista Alberti and Nicholas Cusanus

    Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Sixteenth Century Journal•2017

  • Modes of writing and early modern modes of scientific observation

    Open Access•Raz Chen‐Morris•ARTICLE•Renaissance Studies•2017•References: 2

    The emergence of new scientific styles of thought and practices during the seventeenth century was intricately tied to the development of new cultural sensitivities and challenging experimentation with modes of expression in music, literature and the visual arts, generally known as the Baroque. The question of how to relate the pretences of natural philosophers and mathematicians of the period to present coherent systems of the world with the anx…

  • The contested domain of seventeenth-century natural knowledge

    Open Access•Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Metascience•2016

  • Renaissance Humanism and the Ambiguities of Modernity

    Raz Chen-Morris, Raz Chen‐Morris et al.•ARTICLE•The European Legacy•2015

    Over the course of the twentieth century, the search for the origins of modernity shifted from the presumption of progress and emancipation to a more nuanced notion of modernity’s tensions and ambi

  • The Copernican Question

    Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•The European Legacy•2014

  • Science in the Age of Baroque

    Open Access•Raz Chen‐Morris, Ofer Gal et al.•BOOK•Science in the Age of Baroque•2012•Cited by: 1•References: 27

  • Nature’s drawing

    Open Access•Ofer Gal, Raz Chen-Morris et al.•ARTICLE•Synthese•2011•Cited by: 1•References: 4

  • Baroque Optics and the Disappearance of the Observer

    Ofer Gal, Raz Chen-Morris et al.•ARTICLE•Journal of the History of Ideas•2010•Cited by: 4•References: 5

    Seventeenth-century optics naturalizes the eye while estranging the mind from objects. A mere screen, on which rests a blurry array of light stains, the eye no longer furnishes the observer with genuine re-presentations of visible objects. The intellect is thus compelled to decipher flat images of no inherent epistemic value, accidental effects of a purely causal process, as vague, reversed reflections of wholly independent objects. Reflecting on…

  • From Emblems to Diagrams

    Open Access•Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Renaissance Quarterly•2009•Cited by: 1•References: 11

    Kepler's treatise on optics of 1604 furnished, along with technical solutions to problems in medieval perspective, a mathematically-based visual language for the observation of nature. This language, based on Kepler's theory of retinal pictures, ascribed a new role to geometrical diagrams. This paper examines Kepler's pictorial language against the backdrop of alchemical emblems that flourished in and around the court of Rudolf II in Prague. It h…

  • The Archaeology of the Inverse Square Law

    Open Access•Ofer Gal, Raz Chen-Morris et al.•ARTICLE•History of Science•2006•References: 3

  • Shadows of Instruction

    Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Journal of the History of Ideas•2005•Cited by: 2

    Kepler's Somnium is a fantastical story about the world on the moon. It presents a heliocentric world-picture established through a total conversion of the meaning and place of observation in the hierarchy of knowledge. This epistemological program is construed through a critical adaptation of Lucian's "True Story," and Plutarch's "The Face on the Moon." Utilizing his new optics, embodied in the Camera obscura, Kepler inverts the meaning of these…

  • The Archaeology of the Inverse Square Law

    Open Access•Ofer Gal, Raz Chen-Morris et al.•ARTICLE•History of Science•2005•References: 5

  • Painting the Heavens

    Raz Chen‐Morris, Raz D Chen-Morris•ARTICLE•Sixteenth Century Journal•2000

  • Baroque Optics and the Disappearance of the Observer

    Ofer Gal, Raz Chen-Morris et al.•ARTICLE•Journal of the History of Ideas•2010•Cited by: 4•References: 5

    Seventeenth-century optics naturalizes the eye while estranging the mind from objects. A mere screen, on which rests a blurry array of light stains, the eye no longer furnishes the observer with genuine re-presentations of visible objects. The intellect is thus compelled to decipher flat images of no inherent epistemic value, accidental effects of a purely causal process, as vague, reversed reflections of wholly independent objects. Reflecting on…

  • Shadows of Instruction

    Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Journal of the History of Ideas•2005•Cited by: 2

    Kepler's Somnium is a fantastical story about the world on the moon. It presents a heliocentric world-picture established through a total conversion of the meaning and place of observation in the hierarchy of knowledge. This epistemological program is construed through a critical adaptation of Lucian's "True Story," and Plutarch's "The Face on the Moon." Utilizing his new optics, embodied in the Camera obscura, Kepler inverts the meaning of these…

  • Science in the Age of Baroque

    Open Access•Raz Chen‐Morris, Ofer Gal et al.•BOOK•Science in the Age of Baroque•2012•Cited by: 1•References: 27

  • Nature’s drawing

    Open Access•Ofer Gal, Raz Chen-Morris et al.•ARTICLE•Synthese•2011•Cited by: 1•References: 4

  • From Emblems to Diagrams

    Open Access•Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Renaissance Quarterly•2009•Cited by: 1•References: 11

    Kepler's treatise on optics of 1604 furnished, along with technical solutions to problems in medieval perspective, a mathematically-based visual language for the observation of nature. This language, based on Kepler's theory of retinal pictures, ascribed a new role to geometrical diagrams. This paper examines Kepler's pictorial language against the backdrop of alchemical emblems that flourished in and around the court of Rudolf II in Prague. It h…

  • Painting the Heavens

    Raz Chen‐Morris, Raz D Chen-Morris•ARTICLE•Sixteenth Century Journal•2000

  • Shadows of Instruction

    Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Journal of the History of Ideas•2005•Cited by: 2

    Kepler's Somnium is a fantastical story about the world on the moon. It presents a heliocentric world-picture established through a total conversion of the meaning and place of observation in the hierarchy of knowledge. This epistemological program is construed through a critical adaptation of Lucian's "True Story," and Plutarch's "The Face on the Moon." Utilizing his new optics, embodied in the Camera obscura, Kepler inverts the meaning of these…

  • The Archaeology of the Inverse Square Law

    Open Access•Ofer Gal, Raz Chen-Morris et al.•ARTICLE•History of Science•2005•References: 5

  • The Archaeology of the Inverse Square Law

    Open Access•Ofer Gal, Raz Chen-Morris et al.•ARTICLE•History of Science•2006•References: 3

  • From Emblems to Diagrams

    Open Access•Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Renaissance Quarterly•2009•Cited by: 1•References: 11

    Kepler's treatise on optics of 1604 furnished, along with technical solutions to problems in medieval perspective, a mathematically-based visual language for the observation of nature. This language, based on Kepler's theory of retinal pictures, ascribed a new role to geometrical diagrams. This paper examines Kepler's pictorial language against the backdrop of alchemical emblems that flourished in and around the court of Rudolf II in Prague. It h…

  • Baroque Optics and the Disappearance of the Observer

    Ofer Gal, Raz Chen-Morris et al.•ARTICLE•Journal of the History of Ideas•2010•Cited by: 4•References: 5

    Seventeenth-century optics naturalizes the eye while estranging the mind from objects. A mere screen, on which rests a blurry array of light stains, the eye no longer furnishes the observer with genuine re-presentations of visible objects. The intellect is thus compelled to decipher flat images of no inherent epistemic value, accidental effects of a purely causal process, as vague, reversed reflections of wholly independent objects. Reflecting on…

  • Nature’s drawing

    Open Access•Ofer Gal, Raz Chen-Morris et al.•ARTICLE•Synthese•2011•Cited by: 1•References: 4

  • Science in the Age of Baroque

    Open Access•Raz Chen‐Morris, Ofer Gal et al.•BOOK•Science in the Age of Baroque•2012•Cited by: 1•References: 27

  • The Copernican Question

    Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•The European Legacy•2014

  • Renaissance Humanism and the Ambiguities of Modernity

    Raz Chen-Morris, Raz Chen‐Morris et al.•ARTICLE•The European Legacy•2015

    Over the course of the twentieth century, the search for the origins of modernity shifted from the presumption of progress and emancipation to a more nuanced notion of modernity’s tensions and ambi

  • The contested domain of seventeenth-century natural knowledge

    Open Access•Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Metascience•2016

  • Leon Battista Alberti and Nicholas Cusanus

    Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Sixteenth Century Journal•2017

  • Modes of writing and early modern modes of scientific observation

    Open Access•Raz Chen‐Morris•ARTICLE•Renaissance Studies•2017•References: 2

    The emergence of new scientific styles of thought and practices during the seventeenth century was intricately tied to the development of new cultural sensitivities and challenging experimentation with modes of expression in music, literature and the visual arts, generally known as the Baroque. The question of how to relate the pretences of natural philosophers and mathematicians of the period to present coherent systems of the world with the anx…

  • Instruments of Knowledge

    Open Access•Raz Chen-Morris, Raz Chen‐Morris•ARTICLE•Renaissance Quarterly•2025

Philosophy (9 works) · Art (8 works) · Epistemology (8 works) · History (7 works) · Archaeology (5 works) · Art history (5 works) · History of Science and Medicine (5 works) · Physics (5 works) · History (4 works) · Kepler (4 works)

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