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Baroque Optics and the Disappearance of the Observer

From Kepler's Optics to Descartes' Doubt

Bibliographic Data

ID5306146
AuthorsOfer Gal (0000-0002-2858-0137), Raz Chen-Morris, Raz Chen‐morri, Raz Chen‐Morris
Year2010
Volume71
Issue2
Pages191-217
Publication date2010-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of the History of Ideas (JOURNAL)
Journal identifiersISSN: 0022-5037 • E-ISSN: 1086-3222
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/jhi.0.0076
OpenAlexW2105768716
LanguageEN
Citations received5
References cited26

Seventeenth-century optics naturalizes the eye while estranging the mind from objects. A mere screen, on which rests a blurry array of light stains, the eye no longer furnishes the observer with genuine re-presentations of visible objects. The intellect is thus compelled to decipher flat images of no inherent epistemic value, accidental effects of a purely causal process, as vague, reversed reflections of wholly independent objects. Reflecting on and trespassing the boundaries between natural and artificial, orderly and disorderly, this optical paradox is a Baroque phenomenon; and it is the origin of Descartes' celebrated doubt---whether we know anything at all

Accidental · Art · Astronomy · Baroque · Epistemology · Geometrical optics · Intellect · Kepler · Literature · Observer (physics · Optics · Phenomenon · Physics · Planet · Quantum mechanics · Diverse Historical and Scientific Studies · Historical Philosophy and Science · History of Science and Medicine · Philosophy

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Unique citing works5
Citations per year0,33
Citation span2011 - 2019 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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