Ikechukwu Obiaya
Biographic Data
| ID | 5662181 |
|---|---|
| NAME | Ikechukwu Obiaya |
| GIVEN NAMES | Ikechukwu |
| FAMILY NAME | Obiaya |
| SIGNATURE | OBIAYA I |
| AFFILIATIONS | Pan-Atlantic University |
| ORCID | 0000-0002-2520-1920 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
The Milkmaid, Desmond Ovbiagele (dir.) (2020), Nigeria
Review of: The Milkmaid , Desmond Ovbiagele (dir.) (2020), Nigeria: Danono Media
Faraday Okoro, director. Nigerian Prince. 2018. 104 minutes. English and Igbo. Nigeria and United States. Vertical Entertainment. Streaming on Netflix. No price reported
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
Taking Nigeria to the movies
The double-faceted nature of film as both a cultural and an economic good means that the direct involvement by the state in the film industry can often be guaranteed. Such state involvement worldwide is largely expressed through function-specific organs, whose powers and functions tend to vary. The National Film and Video Censors Board (NFVCB) of Nigeria, as one of such organs, has powers that go beyond film classification and censorship. This ha…
Araromire/the Figurine
Preview this article: Araromire/the Figurine: An Updated Model for Nollywood?, Page 1 of 1 /docserver/preview/fulltext/jams/3/2/s11-1.gif
A Break with the Past
Nollywood on the Internet
The prolificacy of the Nigerian video-film industry, tagged Nollywood, has attracted wide attention and won the acclaim of a large cross-border audience. The success of the video-films is largely attributed to their nature as popular art, created by the people for the people. Popular art is noted for its openness to novelty, and the accessibility of the video technology has had an important role to play in the development of this industry. This s…
Nollywood on the Internet
The prolificacy of the Nigerian video-film industry, tagged Nollywood, has attracted wide attention and won the acclaim of a large cross-border audience. The success of the video-films is largely attributed to their nature as popular art, created by the people for the people. Popular art is noted for its openness to novelty, and the accessibility of the video technology has had an important role to play in the development of this industry. This s…
Araromire/the Figurine
Preview this article: Araromire/the Figurine: An Updated Model for Nollywood?, Page 1 of 1 /docserver/preview/fulltext/jams/3/2/s11-1.gif
A Break with the Past
Taking Nigeria to the movies
The double-faceted nature of film as both a cultural and an economic good means that the direct involvement by the state in the film industry can often be guaranteed. Such state involvement worldwide is largely expressed through function-specific organs, whose powers and functions tend to vary. The National Film and Video Censors Board (NFVCB) of Nigeria, as one of such organs, has powers that go beyond film classification and censorship. This ha…
Faraday Okoro, director. Nigerian Prince. 2018. 104 minutes. English and Igbo. Nigeria and United States. Vertical Entertainment. Streaming on Netflix. No price reported
An abstract is not available for this content. As you have access to this content, full HTML content is provided on this page. A PDF of this content is also available in through the ‘Save PDF’ action button
The Milkmaid, Desmond Ovbiagele (dir.) (2020), Nigeria
Review of: The Milkmaid , Desmond Ovbiagele (dir.) (2020), Nigeria: Danono Media
Sociology (6 works) · Media studies (5 works) · Political science (5 works) · African history and culture studies (4 works) · Art (4 works) · Advertising (3 works) · Business (3 works) · Cinema and Media Studies (3 works) · Law (3 works) · African studies and sociopolitical issues (2 works)