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Nollywood on the Internet

A preliminary analysis of an online Nigerian video-film audience

Bibliographic Data

ID15554162
AuthorsIkechukwu Obiaya (0000-0002-2520-1920, Pan-Atlantic University, corresponding author)
Year2010
Volume2
Issue3
Pages321-338
Publication date2010-11-01
Open AccessNo
TypeARTICLE
VenueJournal of African Media Studies (JOURNAL)
Journal identifiersISSN: 1751-7974 • E-ISSN: 2040-199X
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/jams.2.3.321_1
OpenAlexW1987399619
LanguageEN
Citations received5
References cited10

The prolificacy of the Nigerian video-film industry, tagged Nollywood, has attracted wide attention and won the acclaim of a large cross-border audience. The success of the video-films is largely attributed to their nature as popular art, created by the people for the people. Popular art is noted for its openness to novelty, and the accessibility of the video technology has had an important role to play in the development of this industry. This same openness to technology can be applied to the audience of popular art, which, given its greater involvement in the performance, holds a key position in the promotion of such culture. The development of new information and communication technologies, especially the Internet, has led to an increased participation of audiences in general. This has brought about new considerations in terms of audience research. This article takes a preliminary look at the online presence of the Nigerian video-film audience with the goal of determining whether the Internet has brought about any changes in this popular art audience. It concludes that the use of the Internet has not changed the characteristics of the popular art audience, but has enhanced them, giving this audience a greater visibility

Advertising · Business · Media studies · Openness to experience · Political science · Popular culture · Promotion (chess · Public relations · Sociology · The Internet · World Wide Web · Cinema and Media Studies · Computer Science · Cultural Industries and Urban Development · Digital Games and Media · Law · Psychology

  • The historical and contemporary representation of Africa in global media flows

    Prosper Yao Tsikata•Communicatio•2014

  • Nollywood online

    Afra Dekie, Philippe Meers et al.•Journal of African Media Studies•2015

  • Audience Readings and Meaning Negotiation in the Film Viewing Space

    Open Access•Onotina Jeiva Elinwa•SAGE Open•2020

  • Yorùbá Ẹ Ronú

    Ying Cheng•Journal of African Cultural Studies•2020

  • Audience reception of the Benin language video film in Nollywood

    Osakue Stevenson Omoera•Journal of African Cultural Studies•2014

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    Open Access•Sonia Livingstone•European Journal of Communication•2004

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    Moradewun Adejunmobi•Cultural Critique•2002

  • Mass Media and Leisure in Africa

    Charles Ambler•The International Journal of…•2002

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    Open Access•Nadine Dolby•African Studies Review•2006

  • Popular Arts in Africa

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  • Indian films and Nigerian lovers

    Open Access•Brian Larkin•Africa•1997

Citations per year0.42
Citation span2014 - 2020 (7)
Highly citedNo

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