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Edgar A Dryden

Biographic Data

ID5701932
NAMEEdgar A Dryden
GIVEN NAMESEdgar A
FAMILY NAMEDryden
SIGNATUREDRYDEN E A
AFFILIATIONSUniversity of Arizona
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS0
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2012
H-INDEX0
  • Poet as Editor

    Open Access•Edgar A Dryden•ARTICLE•Leviathan•2012

  • The Form of American Romance

    Open Access•Jeffrey Rubin-Dorsky, Edgar A Dryden•ARTICLE•South Central Review•1991

  • The Form of American Romance

    Tim Poland, Edgar A Dryden•ARTICLE•South Atlantic Review•1990

  • The Form of American Romance

    Beverly R Voloshin, Edgar A Dryden•ARTICLE•American Literature•1990

  • Reading the Letter

    Jonathan Arac, Edgar A Dryden et al.•ARTICLE•diacritics•1979

  • The Entangled Text

    Edgar A Dryden•ARTICLE•boundary 2•1979

    Man seems to have had as little to do with it as Nature. It was that supernatural creature, the priest .... And one seems to see that as out of the crude forms of the natural earth they could evoke by art the transcendent mass & symetry & . . . of the pyramid so out of the rude elements of the insignificant thoughts that are in all men, they could rear the transcendent conception of a God. Herman Melville

  • Writer as Reader

    Edgar A Dryden•ARTICLE•boundary 2•1979

    The development of the normal transitive sentence rests upon the fact that one action in nature promotes another; thus the agent and the object are secretly verbs. For example, our sentence, Reading promotes writing, would be expressed in Chinese by three full verbs. Such a form is the equivalent of three expanded clauses and can be drawn out into adjectival, participial, infinitive, relative or conditional members. of many possible examples is, …

  • Nathaniel Hawthorne

    Richard Harter Fogle, Edgar A Dryden•ARTICLE•American Literature•1979

  • Moby-Dick and Calvinism

    Edgar A Dryden, T Walter Herbert et al.•ARTICLE•The New England Quarterly•1978

  • Hawthorne's Castle in the Air

    Edgar A Dryden•ARTICLE•ELH•1971

  • Melville's Thematics of Form

    Edwin Gittleman, Edgar A Dryden•ARTICLE•The New England Quarterly•1969

    IN RECENT YEARS a number of important studies of Melville have appeared.Although these have approached his fiction from radically divergent points of view, there has been, for the most part, an implicit agreement with Charles Feidelson's belief that Melville "from first to last ... presents himself as an artist, and a conscious artist

  • Melville's Thematics of Form

    Paul Brodtkorb, Edgar A Dryden•ARTICLE•American Literature•1969

No prominent works on this page.

  • Melville's Thematics of Form

    Edwin Gittleman, Edgar A Dryden•ARTICLE•The New England Quarterly•1969

    IN RECENT YEARS a number of important studies of Melville have appeared.Although these have approached his fiction from radically divergent points of view, there has been, for the most part, an implicit agreement with Charles Feidelson's belief that Melville "from first to last ... presents himself as an artist, and a conscious artist

  • Melville's Thematics of Form

    Paul Brodtkorb, Edgar A Dryden•ARTICLE•American Literature•1969

  • Hawthorne's Castle in the Air

    Edgar A Dryden•ARTICLE•ELH•1971

  • Moby-Dick and Calvinism

    Edgar A Dryden, T Walter Herbert et al.•ARTICLE•The New England Quarterly•1978

  • Reading the Letter

    Jonathan Arac, Edgar A Dryden et al.•ARTICLE•diacritics•1979

  • The Entangled Text

    Edgar A Dryden•ARTICLE•boundary 2•1979

    Man seems to have had as little to do with it as Nature. It was that supernatural creature, the priest .... And one seems to see that as out of the crude forms of the natural earth they could evoke by art the transcendent mass & symetry & . . . of the pyramid so out of the rude elements of the insignificant thoughts that are in all men, they could rear the transcendent conception of a God. Herman Melville

  • Writer as Reader

    Edgar A Dryden•ARTICLE•boundary 2•1979

    The development of the normal transitive sentence rests upon the fact that one action in nature promotes another; thus the agent and the object are secretly verbs. For example, our sentence, Reading promotes writing, would be expressed in Chinese by three full verbs. Such a form is the equivalent of three expanded clauses and can be drawn out into adjectival, participial, infinitive, relative or conditional members. of many possible examples is, …

  • Nathaniel Hawthorne

    Richard Harter Fogle, Edgar A Dryden•ARTICLE•American Literature•1979

  • The Form of American Romance

    Tim Poland, Edgar A Dryden•ARTICLE•South Atlantic Review•1990

  • The Form of American Romance

    Beverly R Voloshin, Edgar A Dryden•ARTICLE•American Literature•1990

  • The Form of American Romance

    Open Access•Jeffrey Rubin-Dorsky, Edgar A Dryden•ARTICLE•South Central Review•1991

  • Poet as Editor

    Open Access•Edgar A Dryden•ARTICLE•Leviathan•2012

Art (11 works) · Literature (7 works) · History (6 works) · Philosophy (4 works) · Comics and Graphic Narratives (3 works) · Computer Science (3 works) · Digital Humanities and Scholarship (3 works) · History (3 works) · Lexicography and Language Studies (3 works) · Literature: history, themes, analysis (3 works)

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