Melville's Thematics of Form
The Great Art of Telling the Truth
Bibliographic Data
| ID | 16311432 |
|---|---|
| Authors | Edwin Gittleman (corresponding author), Edgar A Dryden |
| Year | 1969 |
| Volume | 42 |
| Issue | 4 |
| Pages | 599 |
| Publication date | 1969-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The New England Quarterly (JOURNAL) |
| Journal identifiers | ISSN: 0028-4866 • E-ISSN: 1937-2213 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/363479 |
| OpenAlex | W2002000910 |
| Language | EN |
| Citations received | 3 |
IN RECENT YEARS a number of important studies of Melville have appeared.Although these have approached his fiction from radically divergent points of view, there has been, for the most part, an implicit agreement with Charles Feidelson's belief that Melville "from first to last ... presents himself as an artist, and a conscious artist
Aesthetics · Art · Psychoanalysis · Truth telling · Literature: history, themes, analysis · Psychology
| Unique citing works | 3 |
|---|---|
| Citations per year | 0.09 |
| Citation span | 1991 - 2003 (13) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |