Jennifer L Schulz
Biographic Data
| ID | 5703162 |
|---|---|
| NAME | Jennifer L Schulz |
| GIVEN NAMES | Jennifer L |
| FAMILY NAME | Schulz |
| SIGNATURE | SCHULZ J L |
| AFFILIATIONS | University of Manitoba |
| ORCID | 0009-0007-4453-3705 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Contemplating Law, Film and Mennonites
In this article, I put Carlos Reygadas’ prize-winning art film, Stellet Licht, to use for Law and Film purposes. Stellet Licht (or Silent Light) is the first film made in the medieval German/Prussian dialect, Plautdietsch (or Low German), and filmed in an Old Order (very conservative) Mennonite colony in Mexico. Viewers of Stellet Licht must be prepared to be contemplative because the film often eschews dialogue or action in favour of contemplati…
Mediation & Popular Culture
This book examines mediation topics such as impartiality, self-determination and fair outcomes through popular culture lenses. Popular television shows and award-winning films are used as illustrative examples to illuminate under-represented mediation topics such as feelings and expert intuition, conflicts of interest and repeat business, and deception and caucusing. The author also employs research from Australia, Belgium, Canada, China, Denmark…
Monsters and Madwomen? Neurosis, Ambition and Mothering in Women Lawyers in Film
In this article we engage with the writings of feminist scholars Sandra Gilbert and Susan Gubar, whose landmark work The Madwoman in the Attic critiques the image of the female madwoman or monster. We use Gilbert and Gubar’s thesis of the female monster as the primary analytical framework for excavating three variants of female madness as depicted in three films: madness as neurosis using Laws of Attraction; monstrosity as ambition using Michael …
The Cook, the Mediator, the Feminist, and the Hero
A feminist interpretive approach to mediation metaphors reveals the feminist jurisprudence in two cooking and conflict resolution films. Chocolat and Fried Green Tomatoes both feature strong female mediators “disguised” as cooks who help others resolve their disputes. Chocolat and Fried Green Tomatoes construct women mediators as feminist heroes and offer feminist jurisprudential commentary. The films’ jurisprudence demonstrates that different ki…
Law and Film
A review of Michael Asimow and Shannon Mader’s text, Law and Popular Culture: A Course Book (New York: Peter Lang, 2004). Asimow and Mader strongly promote the idea that popular representations of law are crucial to how people understand the legal system. This is an important, social constructionist insight that is not stressed often enough in legal pedagogical materials. The text is well organized and has an excellent focus on cinematic techniqu…
On Navigating Despair
Facing Up to Hopelessness
Restaging the Racial Contract
American Literature - Volume 74, Number 1, March 2002
Monsters and Madwomen? Neurosis, Ambition and Mothering in Women Lawyers in Film
In this article we engage with the writings of feminist scholars Sandra Gilbert and Susan Gubar, whose landmark work The Madwoman in the Attic critiques the image of the female madwoman or monster. We use Gilbert and Gubar’s thesis of the female monster as the primary analytical framework for excavating three variants of female madness as depicted in three films: madness as neurosis using Laws of Attraction; monstrosity as ambition using Michael …
Restaging the Racial Contract
American Literature - Volume 74, Number 1, March 2002
Facing Up to Hopelessness
On Navigating Despair
Law and Film
A review of Michael Asimow and Shannon Mader’s text, Law and Popular Culture: A Course Book (New York: Peter Lang, 2004). Asimow and Mader strongly promote the idea that popular representations of law are crucial to how people understand the legal system. This is an important, social constructionist insight that is not stressed often enough in legal pedagogical materials. The text is well organized and has an excellent focus on cinematic techniqu…
The Cook, the Mediator, the Feminist, and the Hero
A feminist interpretive approach to mediation metaphors reveals the feminist jurisprudence in two cooking and conflict resolution films. Chocolat and Fried Green Tomatoes both feature strong female mediators “disguised” as cooks who help others resolve their disputes. Chocolat and Fried Green Tomatoes construct women mediators as feminist heroes and offer feminist jurisprudential commentary. The films’ jurisprudence demonstrates that different ki…
Monsters and Madwomen? Neurosis, Ambition and Mothering in Women Lawyers in Film
In this article we engage with the writings of feminist scholars Sandra Gilbert and Susan Gubar, whose landmark work The Madwoman in the Attic critiques the image of the female madwoman or monster. We use Gilbert and Gubar’s thesis of the female monster as the primary analytical framework for excavating three variants of female madness as depicted in three films: madness as neurosis using Laws of Attraction; monstrosity as ambition using Michael …
Mediation & Popular Culture
This book examines mediation topics such as impartiality, self-determination and fair outcomes through popular culture lenses. Popular television shows and award-winning films are used as illustrative examples to illuminate under-represented mediation topics such as feelings and expert intuition, conflicts of interest and repeat business, and deception and caucusing. The author also employs research from Australia, Belgium, Canada, China, Denmark…
Contemplating Law, Film and Mennonites
In this article, I put Carlos Reygadas’ prize-winning art film, Stellet Licht, to use for Law and Film purposes. Stellet Licht (or Silent Light) is the first film made in the medieval German/Prussian dialect, Plautdietsch (or Low German), and filmed in an Old Order (very conservative) Mennonite colony in Mexico. Viewers of Stellet Licht must be prepared to be contemplative because the film often eschews dialogue or action in favour of contemplati…
Law in Society and Culture (5 works) · Psychology (5 works) · Sociology (5 works) · Art (4 works) · Epistemology (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Social science (3 works) · Aesthetics (2 works)