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Laetitia Parker

Biographic Data

ID5716841
NAMELaetitia Parker
GIVEN NAMESLaetitia
FAMILY NAMEParker
SIGNATUREPARKER L
AFFILIATIONSQueen Mary University of London
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS7
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1958
LATEST PUBLICATION YEAR1997
H-INDEX1
  • Metre and the Transmission of the Text

    L P E Parker, Laetitia Parker•CHAPTER•The songs of Aristophanes•1997

    The metrical history of the text of Aristophanes falls into three periods: from the poet himself to Triclinius, from Triclinius to Brunck, and from Brunck to the present. The first period is both the most mysterious and immeasurably the most important.

  • Knights

    L P E Parker, Laetitia Parker•CHAPTER•The songs of Aristophanes•1997

    With few characters and little diversity of incident, Knights depends heavily on the interchange of speech, song, and recitative for variety and pace. The first, second, fourth and fifth songs are in metres predominant in Ach.: cretic, trochaic, and iambic, with a few dactyls. Dochmiacs are absent from the play: neither the chorus nor any of the characters gives way to the kind of uncontrolled emotion typically expressed in that metre.

  • Some Recent Researches on the Versification of Pindar and Bacchylides

    Open Access•Laetitia Parker, Laetitia P E Parker•ARTICLE•Bulletin of the Institute of…•1958

  • Some Observations on the Incidence of Word-end in Anapaestic Paroemiacs and its Application to Textual Questions

    Open Access•Laetitia Parker•ARTICLE•The Classical Quarterly•1958•Cited by: 7•References: 1

    It is generally stated that diaeresis after the first metron, obligatory in recitative dimeters, is not the rule in catalectic dimeters, or paroemiacs. An examination of the material, however, yields the following results. The paroemiacs of Tyrtaeus' consistendy observe metron-diaeresis. Out of a total of 348 recitative paroemiacs in the Attic dramatists, only 34 disregard metron-diaeresis altogether. A further 75 overlap metron-diaeresis by one …

  • Some Observations on the Incidence of Word-end in Anapaestic Paroemiacs and its Application to Textual Questions

    Open Access•Laetitia Parker•ARTICLE•The Classical Quarterly•1958•Cited by: 7•References: 1

    It is generally stated that diaeresis after the first metron, obligatory in recitative dimeters, is not the rule in catalectic dimeters, or paroemiacs. An examination of the material, however, yields the following results. The paroemiacs of Tyrtaeus' consistendy observe metron-diaeresis. Out of a total of 348 recitative paroemiacs in the Attic dramatists, only 34 disregard metron-diaeresis altogether. A further 75 overlap metron-diaeresis by one …

  • Some Recent Researches on the Versification of Pindar and Bacchylides

    Open Access•Laetitia Parker, Laetitia P E Parker•ARTICLE•Bulletin of the Institute of…•1958

  • Some Observations on the Incidence of Word-end in Anapaestic Paroemiacs and its Application to Textual Questions

    Open Access•Laetitia Parker•ARTICLE•The Classical Quarterly•1958•Cited by: 7•References: 1

    It is generally stated that diaeresis after the first metron, obligatory in recitative dimeters, is not the rule in catalectic dimeters, or paroemiacs. An examination of the material, however, yields the following results. The paroemiacs of Tyrtaeus' consistendy observe metron-diaeresis. Out of a total of 348 recitative paroemiacs in the Attic dramatists, only 34 disregard metron-diaeresis altogether. A further 75 overlap metron-diaeresis by one …

  • Metre and the Transmission of the Text

    L P E Parker, Laetitia Parker•CHAPTER•The songs of Aristophanes•1997

    The metrical history of the text of Aristophanes falls into three periods: from the poet himself to Triclinius, from Triclinius to Brunck, and from Brunck to the present. The first period is both the most mysterious and immeasurably the most important.

  • Knights

    L P E Parker, Laetitia Parker•CHAPTER•The songs of Aristophanes•1997

    With few characters and little diversity of incident, Knights depends heavily on the interchange of speech, song, and recitative for variety and pace. The first, second, fourth and fifth songs are in metres predominant in Ach.: cretic, trochaic, and iambic, with a few dactyls. Dochmiacs are absent from the play: neither the chorus nor any of the characters gives way to the kind of uncontrolled emotion typically expressed in that metre.

Art (3 works) · Computer Science (3 works) · History (3 works) · Literature (3 works) · Aesthetics (2 works) · Classical Antiquity Studies (2 works) · Classical Philosophy and Thought (2 works) · Historical, Religious, and Philosophical Studies (2 works) · Linguistics (2 works) · Philosophy (2 works)

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