Aileen A Feng
Biographic Data
| ID | 5767273 |
|---|---|
| NAME | Aileen A Feng |
| GIVEN NAMES | Aileen A |
| FAMILY NAME | Feng |
| SIGNATURE | FENG A A |
| AFFILIATIONS | University of Arizona |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Petrarchism at Work
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Rethinking Gaspara Stampa in the Canon of Renaissance Poetry
politique qu'il a offerte et dfendue avec espoir et rudition
Writing Beloveds
Covering a period from the late-fourteenth to mid-sixteenth century, Aileen A. Feng’s engagingly written work identifies and analyzes a Latin humanist precursor to the poetic movement known as Renaissance Petrarchism. Though Petrachism is usually read solely as a vernacular poetic tradition, in Writing Beloveds, Feng recovers the initial political purposes in Latin prose and traces how poetry set the terms for gender, agency, and power in early m…
L’evo e il tempo del “Canzoniere.”
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Non si odono altri canti”
“Non si odono altri canti”: Leonardo Giustinian nella Venezia del Quattrocento. Con l’edizione delle canzonette secondo il ms. Marciano It. IX 486. Anna Carocci. Deputazione di Storia Patria per le Venezie 7. Rome: Viella, 2014. 276 pp. €32. - Volume 69 Issue 2
Volto di Medusa’
Scholarship on Petrarch has generally intepreted the figure of Laura-as-Medusa as a projection of the poet's internal conflict between sacred and profane love. Such a reading takes Medusa as a threat to Petrarch's agency. Yet Petrarch's Laura-Medusa is suggestively figured as only her disembodied head, a weapon ultimately manipulated by Perseus. This reversal of agency has an impact on Petrarch's complicated theory of poetic inspiration, and reac…
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Volto di Medusa’
Scholarship on Petrarch has generally intepreted the figure of Laura-as-Medusa as a projection of the poet's internal conflict between sacred and profane love. Such a reading takes Medusa as a threat to Petrarch's agency. Yet Petrarch's Laura-Medusa is suggestively figured as only her disembodied head, a weapon ultimately manipulated by Perseus. This reversal of agency has an impact on Petrarch's complicated theory of poetic inspiration, and reac…
Writing Beloveds
Covering a period from the late-fourteenth to mid-sixteenth century, Aileen A. Feng’s engagingly written work identifies and analyzes a Latin humanist precursor to the poetic movement known as Renaissance Petrarchism. Though Petrachism is usually read solely as a vernacular poetic tradition, in Writing Beloveds, Feng recovers the initial political purposes in Latin prose and traces how poetry set the terms for gender, agency, and power in early m…
L’evo e il tempo del “Canzoniere.”
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Non si odono altri canti”
“Non si odono altri canti”: Leonardo Giustinian nella Venezia del Quattrocento. Con l’edizione delle canzonette secondo il ms. Marciano It. IX 486. Anna Carocci. Deputazione di Storia Patria per le Venezie 7. Rome: Viella, 2014. 276 pp. €32. - Volume 69 Issue 2
Rethinking Gaspara Stampa in the Canon of Renaissance Poetry
politique qu'il a offerte et dfendue avec espoir et rudition
Petrarchism at Work
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Art (5 works) · Renaissance and Early Modern Studies (4 works) · Humanities (3 works) · Historical and Religious Studies of Rome (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Philosophy (2 works) · Poetry (2 works) · Political science (2 works)