Volto di Medusa’
Monumentalizing the self in Petrarch's Rerum vulgarium fragmenta
Bibliographic Data
| ID | 9815713 |
|---|---|
| Authors | Aileen A Feng (University of Arizona, corresponding author) |
| Year | 2013 |
| Volume | 47 |
| Issue | 3 |
| Pages | 497-521 |
| Publication date | 2013-11-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Forum Italicum A Journal of Italian Studies (JOURNAL) |
| Journal identifiers | ISSN: 0014-5858 • E-ISSN: 2168-989X |
| Publisher | SAGE Publications (PUBLISHER • US) |
| DOI | 10.1177/0014585813497334 |
| OpenAlex | W2314098096 |
| Language | EN |
| References cited | 19 |
Scholarship on Petrarch has generally intepreted the figure of Laura-as-Medusa as a projection of the poet's internal conflict between sacred and profane love. Such a reading takes Medusa as a threat to Petrarch's agency. Yet Petrarch's Laura-Medusa is suggestively figured as only her disembodied head, a weapon ultimately manipulated by Perseus. This reversal of agency has an impact on Petrarch's complicated theory of poetic inspiration, and reaches beyond the relationship between poet and beloved to encompass another fraught paradigm of power: the relationship between poet and patron. By recalling the disembodied head of Medusa in the figure of Laura, and recovering the political symbolism of the appropriation of her petrifying gaze, Petrarch creates a model of poetic agency that he uses to stage his relationship to patronage in the Latin Africa and a poem addressed to his Colonna patrons
Agency (philosophy · Appropriation · Art · Epistemology · Humanities · Intertextuality · Literature · Poetry · Political science · Scholarship · Byzantine Studies and History · Historical and Religious Studies of Rome · Law · Philosophy · Renaissance and Early Modern Studies
| Highly cited | No |
|---|