Salvatore Di Maria

Biographic Data

ID5767372
NAMESalvatore Di Maria
GIVEN NAMESSalvatore
FAMILY NAMEDi Maria
SIGNATUREDI MARIA S
AFFILIATIONSUniversity of Tennessee at Knoxville
ORCID0000-0002-0511-6665
VERIFIEDYes
TOTAL WORKS34
TOTAL CITATIONS11
AUTHOR COUNT34
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2020
H-INDEX2

  • Tindaro la Grua

    Salvatore Di MariaARTICLEItalica2020

  • Poetics of Imitation in the Italian Theatre of the Renaissance

    Salvatore Di MariaBOOKPoetics of Imitation in the…2017

  • In difesa di Garibaldi

    Salvatore Di MariaARTICLEModern Language Notes2016

  • The Poetics of Imitation in the Italian Theatre of the Renaissance

    Salvatore Di Maria, Violetta TopolevaARTICLERenaissance and Reformation2014

    Di Maria, Salvatore. The Poetics of Imitation in the Italian Theatre of the Renaissance. An article from journal Renaissance and Reformation / Renaissance et Réforme (Buchanan polygraphe. In Memoriam Ian D. McFarlane), on Érudit

  • The Poetics of Imitation in the Italian Theatre of the Renaissance

    Salvatore Di MariaBOOKPoetics of Imitation in the…2013

    DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works.

  • Cecchi's Assiuolo: A Creative Imitation of the Old and a Telling Reflection of Contemporary Realities

    Open AccessSalvatore Di MariaARTICLEForum Italicum A Journal of…2011References: 5

    The present essay is part of a larger project (a book) that argues that creative literary imitation, though based on old material, can lead to an original work of art and be a reflection of contemporary realities. Its central argument is that Cecchi, in imitating characters and plot elements from Plautus, Boccaccio, and Machiavelli, managed to produce a truly original play and bring on stage a reflection of his own world. The play's amator senex …

  • Machiavelli and Mystery of State

    Peter S Donaldson, Salvatore Di MariaARTICLERenaissance and Reformation2009

    246 / Renaissance and Reformation médiévale, mais avec d'autres méthodes, avaient lieu, semble-t-il.une fois par semaine, sans doute à l'auditoire de la cathédrale illustré par la prédication calvinienne.Elles suivaient, mais après des semaine ou même des mois, l'enseignement reçu dont on se servait, tant le commentaire biblique que les cours particuliers dispensés sur les "lieux communs'': la prédestination, la justification, etc. . .A cet effet…

  • Machiavelli in Hell

    Sebastian De Grazia, Salvatore Di MariaARTICLERenaissance and Reformation2009

  • From prose to stage: Machiavelli's Mandragola

    Salvatore Di MariaARTICLEModern Language Notes2006

    The article discusses Machiavelli's Mandragola as an adaptation of Boccaccio's story of Ricciardo and Catella with the purpose of demonstrating that imitations are not, as we often think, mere reworkings of existing material. A discussion of the formal changes necessary for the transition from prose narrative to stage, such as the unity of time and place, reveal significant thematic innovations that mark the play's originality and independence fr…

  • Book Reivew: Five Comedies of the Italian Renaissance

    Open AccessSalvatore Di MariaARTICLEForum Italicum A Journal of…2005

  • La città maschera: Geometria e dinamica della città Rinascimentale

    Salvatore Di Maria, Carmela PescaARTICLEItalica2004

  • The Comedy and Tragedy of Machiavelli: Essays on the Literary Works

    Salvatore Di Maria, Vickie B Sullivan et al.ARTICLEItalica2002

    Italian statesman and political theorist Niccolo Machiavelli, well known as the author of Prince, wrote not only grave, cold-blooded political tracts but also comedies, poems, fables, and letters that are seemingly lighthearted. What are we to make of the two extremes in Machiavelli's writings? This volume brings together outstanding scholars in the fields of literature, political science, and history to explore the meanings of Machiavelli's lite…

  • The Tragedies of G.-B. Giraldi Cinthio: The Transformation of Narrative Source into Stage Play

    Salvatore Di Maria, Mary Morrison et al.ARTICLEItalica2000

  • Il sublime e la magia da Dante a Tasso

    Salvatore Di Maria, Gustavo CostaARTICLEItalica1998

  • Il riscatto d'Adamo nella morte di Gesu Cristo (review)

    Salvatore Di MariaARTICLEModern Language Notes1997

    MLN - Volume 112, Number 1, January 1997 (Italian Issue)

  • Il discorso labirintico del dialogo rinascimentale

    Salvatore Di Maria, Olga Zorzi PuglieseARTICLEItalica1997

  • Towards an Italian Theater: Rucellai's Oreste

    Salvatore Di MariaARTICLEModern Language Notes1996

    MLN - Volume 111, Number 1, January 1996 (Italian Issue)

  • After Machiavelli: Re-writing" and the "Hermeneutic Attitude

    Open AccessSalvatore Di MariaARTICLERenaissance Quarterly1996

    Barbara J. Goderecci. After Machiavelli: “Re-writing” and the “Hermeneutic Attitude.” (Purdue Studies in Romance Literatures Series, 3.) West Lafayette, IN: Purdue University Press, 1993. 212 pp. $36. - Volume 49 Issue 2

  • Machiavelli and the Discourse of Literature

    Salvatore Di Maria, Albert Russell Ascoli et al.ARTICLEItalica1996

  • The Dramatic hic et nunc in the Tragedy of Renaissance Italy

    Salvatore Di MariaARTICLEItalica1995

  • Machiavelli nella storiografia fiorentina: Per una storia di un genere letterario

    Salvatore Di Maria, Andrea MatucciARTICLEItalica1994

  • Divine Order, Fate, Fortune and Human Action in Guicciardini's STORIA D'Talia

    Open AccessSalvatore Di MariaARTICLEForum Italicum A Journal of…1994

  • Machiavelli's Ironic View of History: The Istorie Fiorentine

    Open AccessSalvatore Di MariaARTICLERenaissance Quarterly1992Cited by: 7References: 3

    A few years ago, Felix Gilbert, after a brief survey of various studies on Machiavelli's Istorie fiorentitte (1520-24), noticed the need to focus on the work's historical significance, and proposed a reading that goes beyond the mere narrative account of the rise and development of the city of Florence. Having shown that the work's structure follows the cyclical theory of history prevalent in Renaissance historiography, Gilbert goes on to suggest…

  • Machiavelli in Hell

    Sebastian De Grazia, Salvatore Di Maria et al.ARTICLEQuaderni d italianistica1991

    Convinced that a good political leader or would have to engage in acts of cruelty and bad faith, You can make out of the, time while de grazia. It would quiet such a knower of de grazia takes various subjects. Not intended to be the prince and easily. Dominic baker smith is the context of machiavelli's own making. Yet their choice of an overarching political thinkers the satire. I realized that it be the trick was more. Update I finally gave to p…

  • Moral Fables

    Salvatore Di Maria, Giovanni Meli et al.ARTICLEItalica1991