Teresa Ludden
Biographic Data
| ID | 5777855 |
|---|---|
| NAME | Teresa Ludden |
| GIVEN NAMES | Teresa |
| FAMILY NAME | Ludden |
| SIGNATURE | LUDDEN T |
| AFFILIATIONS | Newcastle University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Introduction
Mobilisations of Mediation and Aporias
This article analyses Draesner's 2014 novel through the concepts of traumatic memory and relations between the unsayable and speech. It argues through Cathy Caruth's and Jacques Derrida's poststructuralist critical theory that we can understand the tension in the text between mediation and lost origins as a discourse on historiography and the archive, as well as a reflection on the ethics of writing the embodied experiences of others’ trauma. Thr…
Hearing the Silences in Thomas Bernhard's Ja
This article examines Thomas Bernhard's largely neglected short novel Ja (1978) in terms of how silences and textual lacunae function. It uses Lyotard's concept of the differend and Wittgenstein's notion of language‐games to analyse the representation of the relationship between the narrator's inner monologue and the female character, ‘die Perserin’. It argues that the text alludes to incommensurability between the narrator's idiom and the Persia…
Birth and the Mother in Materialist Feminist Philosophy and Contemporary German Texts
The representation of birth in contemporary German literature has been largely neglected in most commentary and criticism. A recent study analysed the dynamics of the mother/child relationship in G
History, Memory and Montage in Anne Duden's Das Judasschaf
This article uses Theodor Adorno's ideas on the role of the artwork and Walter Benjamin's philosophy of history and his concept of ‘Eingedenken’ to examine the types of memory and the modes of remembering the Holocaust in Anne Duden's novel, Das Judasschaf (1985). It focuses on the complex re‐figuring of quotations, images, Renaissance paintings, and documentary materials in order to assess the politics of montage and the presenting of documents …
Allegories of Cultural Relations
This essay examines Anne Duden's literary‐philosophical text ‘Gegenstrebige Fügung’ in the light of Frankfurt School and feminist theories. It argues that Duden blurs the distinction between legend and myth in her writing about Vittore Carpaccio's paintings of St George and the Dragon to read the representation of the battle between man and dragon as illustrative of founding myths of Western Enlightenment culture. These include the emancipation o…
No prominent works on this page.
Allegories of Cultural Relations
This essay examines Anne Duden's literary‐philosophical text ‘Gegenstrebige Fügung’ in the light of Frankfurt School and feminist theories. It argues that Duden blurs the distinction between legend and myth in her writing about Vittore Carpaccio's paintings of St George and the Dragon to read the representation of the battle between man and dragon as illustrative of founding myths of Western Enlightenment culture. These include the emancipation o…
Birth and the Mother in Materialist Feminist Philosophy and Contemporary German Texts
The representation of birth in contemporary German literature has been largely neglected in most commentary and criticism. A recent study analysed the dynamics of the mother/child relationship in G
History, Memory and Montage in Anne Duden's Das Judasschaf
This article uses Theodor Adorno's ideas on the role of the artwork and Walter Benjamin's philosophy of history and his concept of ‘Eingedenken’ to examine the types of memory and the modes of remembering the Holocaust in Anne Duden's novel, Das Judasschaf (1985). It focuses on the complex re‐figuring of quotations, images, Renaissance paintings, and documentary materials in order to assess the politics of montage and the presenting of documents …
Hearing the Silences in Thomas Bernhard's Ja
This article examines Thomas Bernhard's largely neglected short novel Ja (1978) in terms of how silences and textual lacunae function. It uses Lyotard's concept of the differend and Wittgenstein's notion of language‐games to analyse the representation of the relationship between the narrator's inner monologue and the female character, ‘die Perserin’. It argues that the text alludes to incommensurability between the narrator's idiom and the Persia…
Introduction
Mobilisations of Mediation and Aporias
This article analyses Draesner's 2014 novel through the concepts of traumatic memory and relations between the unsayable and speech. It argues through Cathy Caruth's and Jacques Derrida's poststructuralist critical theory that we can understand the tension in the text between mediation and lost origins as a discourse on historiography and the archive, as well as a reflection on the ethics of writing the embodied experiences of others’ trauma. Thr…
Art (6 works) · Literature (6 works) · Philosophy (6 works) · Philosophy (6 works) · Narrative (5 works) · Psychology (4 works) · Linguistics (3 works) · Literature and Cultural Memory (3 works) · Psychoanalysis (3 works) · Sociology (3 works)