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Michael Gratzke

Biographic Data

ID5777966
NAMEMichael Gratzke
GIVEN NAMESMichael
FAMILY NAMEGratzke
SIGNATUREGRATZKE M
AFFILIATIONSUniversity of Dundee
ORCID0000-0002-8236-2595
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2005
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Using creative methodology to explore LGBTQ+ love and relationship experiences across the lifespan

    Open Access•Mei Lan Fang, Rayna Rogowsky et al.•ARTICLE•SSM - Qualitative Research in…•2024

    Important lessons can be learned from the intergenerational sharing of lifetime love and relationship stories between multigenerational LGBTQ + people, to inform education, healthcare, and policy. However, such exploratory studies have been limited. The aim of this co-creation study was to explore younger and older peoples’ LGBTQ + love and relationship experiences using creative methodology. Three 2-h virtual fictional writing and storytelling w…

  • In Pursuit of Happiness

    Open Access•Michael Gratzke•ARTICLE•The German Quarterly•2020

    Peter Rehberg's novels Play (2002), Fag Love (2005), and Boy Men (2011) map out the fictional relationship history of a gay man from his late twenties to his fortieth birthday. There is no single main character, but the main characters at different points in their biographies follow each other chronologically and conceptually. Reading the books as a set also allows us to trace Rehberg's sustained engagement with US‐American gay culture from the 1…

  • Ethical Performance of Autobiography in Vicky Foster’s Bathwater on Stage, on Air, and in Print

    Michael Gratzke•ARTICLE•Life Writing•2020•Cited by: 1•References: 1

    This article explores Vicky Foster’s Bathwater in its three formats of stage production, radio play, and book as an example of ethical autobiographical performance. Foster’s narrative is concerned with her experiences of an abusive domestic relationship and her efforts to care of her child. The material is characterised by a dual perspective in which the autobiographer-performer and an actor embodying the author’s son speak to the audience. The a…

  • Readings in Twenty-First-Century European Literatures

    Michael Gratzke, Margaret-Anne Hutton et al.•EDITOR•BOOK•Readings in Twenty-First-Century…•2013

    Readings in Twenty-First-Century European Literatures brings together analyses of post-2000 literary works from twelve European literatures. Sharing a common aim - that of taking the first step in identifying and analysing some of the emergent trends in contemporary European literatures - scholars from across Europe come together in this volume to address a range of issues. Topics include the post-postmodern; the effect of new media on literary p…

  • Ihr habt verbreitet / Die Lehre der Klassiker’

    Open Access•Michael Gratzke•ARTICLE•German Life and Letters•2011•References: 7

    Drawing on Heiner Müller's acceptance speech following the award of the Kleist Prize in 1990, this article explores a history of reception running from Heinrich von Kleist via Bertolt Brecht to Heiner Müller. Despite the rejection of Prussian militarism by both Müller and Brecht – and their scepticism about Prussia's enlightened status – the history and literature of Prussia serve as a foil against which the ideological conflicts of the twentieth…

  • So stirbt der Eskimaux an seinem Marterpfahl”

    Michael Gratzke•ARTICLE•Seminar A Journal of Germanic…•2007•References: 1

  • Philoktet, Odysseus, Neoptolemos, Ajax

    Open Access•Michael Gratzke•ARTICLE•German Life and Letters•2005•Cited by: 1•References: 1

    Ausgehend von Müllers Lehrstück Philoktet beleuchtet dieser Artikel Müllers Umgang mit Figuren der griechischen Mythologie. Odysseus steht für den Übergang von ‘archaischer’ zu ‘historischer Zeit’. Er ist der erste, der gesellschaftliche Entfremdung zu spüren bekommt. Er wählt aus Einsicht eine Strategie des politischen Realismus, um unter den Bedingungen der Entfremdung das Notwendige zu erreichen. Die anderen Figuren des Stückes sind Philoktet …

  • Ethical Performance of Autobiography in Vicky Foster’s Bathwater on Stage, on Air, and in Print

    Michael Gratzke•ARTICLE•Life Writing•2020•Cited by: 1•References: 1

    This article explores Vicky Foster’s Bathwater in its three formats of stage production, radio play, and book as an example of ethical autobiographical performance. Foster’s narrative is concerned with her experiences of an abusive domestic relationship and her efforts to care of her child. The material is characterised by a dual perspective in which the autobiographer-performer and an actor embodying the author’s son speak to the audience. The a…

  • Philoktet, Odysseus, Neoptolemos, Ajax

    Open Access•Michael Gratzke•ARTICLE•German Life and Letters•2005•Cited by: 1•References: 1

    Ausgehend von Müllers Lehrstück Philoktet beleuchtet dieser Artikel Müllers Umgang mit Figuren der griechischen Mythologie. Odysseus steht für den Übergang von ‘archaischer’ zu ‘historischer Zeit’. Er ist der erste, der gesellschaftliche Entfremdung zu spüren bekommt. Er wählt aus Einsicht eine Strategie des politischen Realismus, um unter den Bedingungen der Entfremdung das Notwendige zu erreichen. Die anderen Figuren des Stückes sind Philoktet …

  • Philoktet, Odysseus, Neoptolemos, Ajax

    Open Access•Michael Gratzke•ARTICLE•German Life and Letters•2005•Cited by: 1•References: 1

    Ausgehend von Müllers Lehrstück Philoktet beleuchtet dieser Artikel Müllers Umgang mit Figuren der griechischen Mythologie. Odysseus steht für den Übergang von ‘archaischer’ zu ‘historischer Zeit’. Er ist der erste, der gesellschaftliche Entfremdung zu spüren bekommt. Er wählt aus Einsicht eine Strategie des politischen Realismus, um unter den Bedingungen der Entfremdung das Notwendige zu erreichen. Die anderen Figuren des Stückes sind Philoktet …

  • So stirbt der Eskimaux an seinem Marterpfahl”

    Michael Gratzke•ARTICLE•Seminar A Journal of Germanic…•2007•References: 1

  • Ihr habt verbreitet / Die Lehre der Klassiker’

    Open Access•Michael Gratzke•ARTICLE•German Life and Letters•2011•References: 7

    Drawing on Heiner Müller's acceptance speech following the award of the Kleist Prize in 1990, this article explores a history of reception running from Heinrich von Kleist via Bertolt Brecht to Heiner Müller. Despite the rejection of Prussian militarism by both Müller and Brecht – and their scepticism about Prussia's enlightened status – the history and literature of Prussia serve as a foil against which the ideological conflicts of the twentieth…

  • Readings in Twenty-First-Century European Literatures

    Michael Gratzke, Margaret-Anne Hutton et al.•EDITOR•BOOK•Readings in Twenty-First-Century…•2013

    Readings in Twenty-First-Century European Literatures brings together analyses of post-2000 literary works from twelve European literatures. Sharing a common aim - that of taking the first step in identifying and analysing some of the emergent trends in contemporary European literatures - scholars from across Europe come together in this volume to address a range of issues. Topics include the post-postmodern; the effect of new media on literary p…

  • In Pursuit of Happiness

    Open Access•Michael Gratzke•ARTICLE•The German Quarterly•2020

    Peter Rehberg's novels Play (2002), Fag Love (2005), and Boy Men (2011) map out the fictional relationship history of a gay man from his late twenties to his fortieth birthday. There is no single main character, but the main characters at different points in their biographies follow each other chronologically and conceptually. Reading the books as a set also allows us to trace Rehberg's sustained engagement with US‐American gay culture from the 1…

  • Ethical Performance of Autobiography in Vicky Foster’s Bathwater on Stage, on Air, and in Print

    Michael Gratzke•ARTICLE•Life Writing•2020•Cited by: 1•References: 1

    This article explores Vicky Foster’s Bathwater in its three formats of stage production, radio play, and book as an example of ethical autobiographical performance. Foster’s narrative is concerned with her experiences of an abusive domestic relationship and her efforts to care of her child. The material is characterised by a dual perspective in which the autobiographer-performer and an actor embodying the author’s son speak to the audience. The a…

  • Using creative methodology to explore LGBTQ+ love and relationship experiences across the lifespan

    Open Access•Mei Lan Fang, Rayna Rogowsky et al.•ARTICLE•SSM - Qualitative Research in…•2024

    Important lessons can be learned from the intergenerational sharing of lifetime love and relationship stories between multigenerational LGBTQ + people, to inform education, healthcare, and policy. However, such exploratory studies have been limited. The aim of this co-creation study was to explore younger and older peoples’ LGBTQ + love and relationship experiences using creative methodology. Three 2-h virtual fictional writing and storytelling w…

Art (6 works) · Philosophy (4 works) · Arts, Culture, and Music Studies (3 works) · Literature (3 works) · Philosophy (3 works) · Psychology (3 works) · Sociology (3 works) · Gender Roles and Identity Studies (2 works) · Gender Studies (2 works) · German Literature and Culture Studies (2 works)

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