Ethical Performance of Autobiography in Vicky Foster’s Bathwater on Stage, on Air, and in Print

Bibliographic Data

ID12648906
AuthorsMichael Gratzke (0000-0002-8236-2595, University of Hull, corresponding author)
Year2020
Volume19
Issue3
Pages407-421
Publication date2020-09-08
Open AccessNo
TypeARTICLE
VenueLife Writing (JOURNAL)
Journal identifiersISSN: 1448-4528 • E-ISSN: 1751-2964
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14484528.2020.1810406
OpenAlexW3083865681
LanguageEN
Citations received1
References cited5

This article explores Vicky Foster’s Bathwater in its three formats of stage production, radio play, and book as an example of ethical autobiographical performance. Foster’s narrative is concerned with her experiences of an abusive domestic relationship and her efforts to care of her child. The material is characterised by a dual perspective in which the autobiographer-performer and an actor embodying the author’s son speak to the audience. The analysis makes use of discourses on liveness in performance studies, Susan Bennett’s understanding of the body as an archive of experiences in autobiographical performance, and Deirdre Heddon’s research into ethical performance practices. It highlights the respective merits of the three media formats chosen by Foster: the physical co-presence of the autobiographer-performer with a theatre audience, the sole focus on voice and sound on the radio, and the relative durability and reach of printed books. The conclusion argues that the three versions of Vicky Foster’s Bathwater balance the demands of truthfulness and artfulness towards autobiographical performance utilising the specific communicative set-up of each media format

Aesthetics · Art · Biography · Literature · Narrative · Performing arts · Perspective (graphical · Sociology · Visual arts · Artistic and Creative Research · Irish and British Studies · Psychology · Theatre and Performance Studies

Tools

Open DOIOpen Access