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Gertrud Bauer Pickar

Biographic Data

ID5778005
NAMEGertrud Bauer Pickar
GIVEN NAMESGertrud Bauer
FAMILY NAMEPickar
SIGNATUREPICKAR G B
AFFILIATIONSUniversity of Houston
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS0
WORKS AS AUTHOR21
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR1999
H-INDEX0
  • Ambivalence Transcended

    Ward B Lewis, Gertrud Bauer Pickar et al.•ARTICLE•The German Quarterly•1999

  • Ambivalence Transcended

    Open Access•Irene Stocksieker Di Maio, Gertrud Bauer Pickar•ARTICLE•South Central Review•1998

  • Annette von Droste-Hulshoff

    Gertrud Bauer Pickar, Ronald M Schneider et al.•ARTICLE•German Studies Review•1997

  • Women in German Yearbook 6

    Gertrud Bauer Pickar, Jeanette Clausen et al.•ARTICLE•German Studies Review•1993

  • The Age of Goethe Today

    Jeffrey Adams, Gertrud Bauer Pickar et al.•ARTICLE•The German Quarterly•1992

  • The Age of Goethe Today

    Martin Dyck, Gertrud Bauer Pickar et al.•ARTICLE•German Studies Review•1992

  • Martin Walser International Perspectives

    Gertrud Bauer Pickar, Jurgen E Schlunk et al.•ARTICLE•The German Quarterly•1990

  • Max Frischs "Andorra"-Studien zur Rezeption eines "Erfolgsstucks"

    Gertrud Bauer Pickar, Wull-Duk Yu et al.•ARTICLE•The German Quarterly•1986

  • Hades Revisited

    Gertrud Bauer Pickar•ARTICLE•The German Quarterly•1986

    Since the publication of Santa Cruz in 1944, Max Frisch has written and published ten additional works for the stage. Their study reveals both the ebb and flow of his thematic concerns and his enduring interest in the nature and ramifications of man's propensity to make images of himself and his fellow men. Unmistakable, too, are his continued experimentation with dramatic form and structure and the progressive development of his own unique form …

  • Adventures of a Flounder

    Uta Liebmann Schaub, Gertrud Bauer Pickar et al.•ARTICLE•German Studies Review•1985

  • Adventures of a Flounder

    Scott Abbott, Gertrud Bauer Pickar•ARTICLE•The German Quarterly•1984

  • Es wird nie eine Pagode

    Gertrud Bauer Pickar•ARTICLE•Seminar A Journal of Germanic…•1983

  • Expressionism Reconsidered. Relationships and Affinities (Houston German Studies, vol. 1)

    Lorna Martens, Gertrud Bauer Pickar et al.•ARTICLE•The German Quarterly•1981

  • Expressionism Reconsidered. Relationships and Affinities

    Gerhard P Knapp, Gertrud Bauer Pickar et al.•ARTICLE•Modern Language Notes•1981

  • Expressionism Reconsidered

    Dennis McCormick, Dennis R McCormick et al.•ARTICLE•German Studies Review•1980

  • Günter Grass' Örtlich Betäubt

    Gertrud Bauer Pickar•ARTICLE•The Germanic Review Literature…•1977

    Dans la plupart des oeuvres en prose de G.G., le role du narrateur est assume par le ou les personnages principaux du recit: c'est egalement le cas pour Ortlich... Cependant le personnage central du roman presente une modification par rapport aux narrateurs-protagonistes anterieurs, dans sa maniere de traiter la realite. L'auteur presente au lecteur non seulement le narrateur dans son ambiguite, mais egalement, a travers lui, une vision du monde …

  • The Narrative Time Sense in the Dramatic Works of Max Frisch

    Open Access•Gertrud Bauer Pickar•ARTICLE•German Life and Letters•1974

  • From Place to Stage — An Evolution in the Dramatic Works of Max Frisch

    Gertrud Bauer Pickar•ARTICLE•Seminar A Journal of Germanic…•1973

    Max Frisch's dramatic works from Santa Cruz (1944) to Biografie (1967) demonstrate his continual experimentation with the role and nature of place. In his dramas location is suspended, projected into the realm of the imagined and imaginary, extended through a series of place changes, or divided between settings of portrayal and commentary. The action of the plays is frequently subjected to intentional ambiguity of location, or totally disregards …

  • Felix Paul Greve redivivus

    Gertrud Bauer Pickar•ARTICLE•Seminar A Journal of Germanic…•1973

  • Narrative Perspective in the Novels of Martin Walser

    Gertrud Bauer Pickar•ARTICLE•The German Quarterly•1971

    Walser's first novel, Ehen in Philippsburg, is often dismissed as the work of a novice and generally passed over in discussions of his other novels, Halbzeit and Das Einhorn.' The reason for its exclusion is the apparent lack of similarity of this initial novel to his later works: it is narrated continually in the third person singular; there is no interplay of fictional levels which in subsequent novels is related to the use of the first person;…

  • The Aspect of Colour in Günter Grass's Katz Und Maus

    Open Access•Gertrud Bauer Pickar•ARTICLE•German Life and Letters•1970

No prominent works on this page.

  • The Aspect of Colour in Günter Grass's Katz Und Maus

    Open Access•Gertrud Bauer Pickar•ARTICLE•German Life and Letters•1970

  • Narrative Perspective in the Novels of Martin Walser

    Gertrud Bauer Pickar•ARTICLE•The German Quarterly•1971

    Walser's first novel, Ehen in Philippsburg, is often dismissed as the work of a novice and generally passed over in discussions of his other novels, Halbzeit and Das Einhorn.' The reason for its exclusion is the apparent lack of similarity of this initial novel to his later works: it is narrated continually in the third person singular; there is no interplay of fictional levels which in subsequent novels is related to the use of the first person;…

  • From Place to Stage — An Evolution in the Dramatic Works of Max Frisch

    Gertrud Bauer Pickar•ARTICLE•Seminar A Journal of Germanic…•1973

    Max Frisch's dramatic works from Santa Cruz (1944) to Biografie (1967) demonstrate his continual experimentation with the role and nature of place. In his dramas location is suspended, projected into the realm of the imagined and imaginary, extended through a series of place changes, or divided between settings of portrayal and commentary. The action of the plays is frequently subjected to intentional ambiguity of location, or totally disregards …

  • Felix Paul Greve redivivus

    Gertrud Bauer Pickar•ARTICLE•Seminar A Journal of Germanic…•1973

  • The Narrative Time Sense in the Dramatic Works of Max Frisch

    Open Access•Gertrud Bauer Pickar•ARTICLE•German Life and Letters•1974

  • Günter Grass' Örtlich Betäubt

    Gertrud Bauer Pickar•ARTICLE•The Germanic Review Literature…•1977

    Dans la plupart des oeuvres en prose de G.G., le role du narrateur est assume par le ou les personnages principaux du recit: c'est egalement le cas pour Ortlich... Cependant le personnage central du roman presente une modification par rapport aux narrateurs-protagonistes anterieurs, dans sa maniere de traiter la realite. L'auteur presente au lecteur non seulement le narrateur dans son ambiguite, mais egalement, a travers lui, une vision du monde …

  • Expressionism Reconsidered

    Dennis McCormick, Dennis R McCormick et al.•ARTICLE•German Studies Review•1980

  • Expressionism Reconsidered. Relationships and Affinities (Houston German Studies, vol. 1)

    Lorna Martens, Gertrud Bauer Pickar et al.•ARTICLE•The German Quarterly•1981

  • Expressionism Reconsidered. Relationships and Affinities

    Gerhard P Knapp, Gertrud Bauer Pickar et al.•ARTICLE•Modern Language Notes•1981

  • Es wird nie eine Pagode

    Gertrud Bauer Pickar•ARTICLE•Seminar A Journal of Germanic…•1983

  • Adventures of a Flounder

    Scott Abbott, Gertrud Bauer Pickar•ARTICLE•The German Quarterly•1984

  • Adventures of a Flounder

    Uta Liebmann Schaub, Gertrud Bauer Pickar et al.•ARTICLE•German Studies Review•1985

  • Max Frischs "Andorra"-Studien zur Rezeption eines "Erfolgsstucks"

    Gertrud Bauer Pickar, Wull-Duk Yu et al.•ARTICLE•The German Quarterly•1986

  • Hades Revisited

    Gertrud Bauer Pickar•ARTICLE•The German Quarterly•1986

    Since the publication of Santa Cruz in 1944, Max Frisch has written and published ten additional works for the stage. Their study reveals both the ebb and flow of his thematic concerns and his enduring interest in the nature and ramifications of man's propensity to make images of himself and his fellow men. Unmistakable, too, are his continued experimentation with dramatic form and structure and the progressive development of his own unique form …

  • Martin Walser International Perspectives

    Gertrud Bauer Pickar, Jurgen E Schlunk et al.•ARTICLE•The German Quarterly•1990

  • The Age of Goethe Today

    Jeffrey Adams, Gertrud Bauer Pickar et al.•ARTICLE•The German Quarterly•1992

  • The Age of Goethe Today

    Martin Dyck, Gertrud Bauer Pickar et al.•ARTICLE•German Studies Review•1992

  • Women in German Yearbook 6

    Gertrud Bauer Pickar, Jeanette Clausen et al.•ARTICLE•German Studies Review•1993

  • Annette von Droste-Hulshoff

    Gertrud Bauer Pickar, Ronald M Schneider et al.•ARTICLE•German Studies Review•1997

  • Ambivalence Transcended

    Open Access•Irene Stocksieker Di Maio, Gertrud Bauer Pickar•ARTICLE•South Central Review•1998

  • Ambivalence Transcended

    Ward B Lewis, Gertrud Bauer Pickar et al.•ARTICLE•The German Quarterly•1999

Art (17 works) · German Literature and Culture Studies (14 works) · History (10 works) · Philosophy (8 works) · History (6 works) · Literature (6 works) · Art history (5 works) · German History and Society (5 works) · Computer Science (4 works) · German (4 works)

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