Narrative Perspective in the Novels of Martin Walser

Walser's first novel, Ehen in Philippsburg, is often dismissed as the work of a novice and generally passed over in discussions of his other novels, Halbzeit and Das Einhorn.' The reason for its exclusion is the apparent lack of similarity of this initial novel to his later works: it is narrated continually in the third person singular; there is no interplay of fictional levels which in subsequent novels is related to the use of the first person; the portrayal of character and plot lacks the complexity and ambiguity of the later works. Closer examination, however, reveals that features which are dominant in the other two novels are prefigured in Philippsburg.2 This work contains tentative indications of techniques which are to become characteristic of the following novels and incorporates devices which later reappear in variant forms

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