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Gail Newman

Biographic Data

ID5778397
NAMEGail Newman
GIVEN NAMESGail
FAMILY NAMENewman
SIGNATURENEWMAN G
AFFILIATIONSWilliams College
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2020
H-INDEX0
  • "Confusion of Tongues"

    Gail Newman•ARTICLE•Journal of Austrian Studies•2020

    The protagonist of the title story in Bachmann's last collection Simultan is arguably at least as much language itself as it is the simultaneous translator Nadja. In the course of the narrative, Nadja experiences various kinds of danger associated with signification, from its suffocating presence to its terrifying absence. Readers, too, find themselves alternately drawn in, carried away, or completely shut out by the uniquely potent combination o…

  • Fractal Histories

    Gail M Newman, Gail Newman•ARTICLE•American imago•2017

    In a sketch of the seven-text cycle Orkus, the Austrian author Gerhard Roth likened the realm of silence—often a guilty silence—he explored in his works to the underworld, an "invisible 'other world' that is probed, and not really understood or 'explained'...in psychoanalysis." Examining the cycle's inaugural novel, The Lake, this essay argues that a multi-theoretical psychoanalysis is indeed able to help readers craft a nuanced understanding of …

  • Narrating Silence

    Open Access•Gail Newman•ARTICLE•The German Quarterly•2015

    Gerhard Roth's novel from 1986, Am Abgrund , stands at the center of hismonumental and multi‐genre cycle, Die Archive des Schweigens . On one level, the novel can be read as an allegory of modern Austria, which Roth has called a “Reich des Schweigens.” Its main protagonists—the mute, ostensibly insane Lindner and the law student‐cum‐murderer Jenner—could represent the twinned dimensions of post‐war Austrian silence: guilt and trauma. More broadly…

  • Pregnancy, Thirdness, and The Aesthetics of Catastrophe in Heinrich Von Kleist

    Open Access•Gail M Newman, Gail Newman•ARTICLE•The Psychoanalytic Quarterly•2012•References: 11

    In documenting his own personal crisis of faith in Enlightenment rationalism through letters and essays, Kleist exposes the epistemological fissures in its edifice. This paper explores in psychoanalytic terms the dilemmas associated with knowing and not knowing, and the relationship between self and other, revealed by these texts. Kleist's literary work goes beyond expressing this crisis of knowledge to enact a kind of solution to it, not resolvi…

  • Using the object in the classroom

    Open Access•Gail M Newman, Gail Newman•ARTICLE•Psychoanalysis Culture & Society•2010•References: 9

  • Dichtung und Theorie. Der Entwurf einer dichterischen Transzendentalpoetik in den Fragmenten des Novalis

    Gail Newman, Nikolaus Lohse•ARTICLE•The German Quarterly•1990

  • Poetic Process as Intermediate Area in Novalis's Heinrich von Ofterdingen

    Gail Newman•ARTICLE•Seminar A Journal of Germanic…•1990•References: 1

    Der Sitz der Seele ist da, wo sich Innenwelt und Ausenwelt beruhren. W o sie sich durchdringen – ist er in jedem Puncte der Durchdringung.' Nichts ist poetischer, als alle Ubergange und heterogene Mischungen (3:587/221). My claim is that there is a need for a statement [about] the third part of the life of a human being, a part that we cannot ignore, an intermediate area of experiencing, to which inner reality and external life both contribute (W…

  • The Status of the Subject in Novalis's Heinrich von Ofterdingen and Kleist's Die Marquise von O

    Gail Newman•ARTICLE•The German Quarterly•1989

  • Du Bist Nicht Anders Als Ich’

    Open Access•Gail Newman•ARTICLE•German Life and Letters•1989

No prominent works on this page.

  • The Status of the Subject in Novalis's Heinrich von Ofterdingen and Kleist's Die Marquise von O

    Gail Newman•ARTICLE•The German Quarterly•1989

  • Du Bist Nicht Anders Als Ich’

    Open Access•Gail Newman•ARTICLE•German Life and Letters•1989

  • Dichtung und Theorie. Der Entwurf einer dichterischen Transzendentalpoetik in den Fragmenten des Novalis

    Gail Newman, Nikolaus Lohse•ARTICLE•The German Quarterly•1990

  • Poetic Process as Intermediate Area in Novalis's Heinrich von Ofterdingen

    Gail Newman•ARTICLE•Seminar A Journal of Germanic…•1990•References: 1

    Der Sitz der Seele ist da, wo sich Innenwelt und Ausenwelt beruhren. W o sie sich durchdringen – ist er in jedem Puncte der Durchdringung.' Nichts ist poetischer, als alle Ubergange und heterogene Mischungen (3:587/221). My claim is that there is a need for a statement [about] the third part of the life of a human being, a part that we cannot ignore, an intermediate area of experiencing, to which inner reality and external life both contribute (W…

  • Using the object in the classroom

    Open Access•Gail M Newman, Gail Newman•ARTICLE•Psychoanalysis Culture & Society•2010•References: 9

  • Pregnancy, Thirdness, and The Aesthetics of Catastrophe in Heinrich Von Kleist

    Open Access•Gail M Newman, Gail Newman•ARTICLE•The Psychoanalytic Quarterly•2012•References: 11

    In documenting his own personal crisis of faith in Enlightenment rationalism through letters and essays, Kleist exposes the epistemological fissures in its edifice. This paper explores in psychoanalytic terms the dilemmas associated with knowing and not knowing, and the relationship between self and other, revealed by these texts. Kleist's literary work goes beyond expressing this crisis of knowledge to enact a kind of solution to it, not resolvi…

  • Narrating Silence

    Open Access•Gail Newman•ARTICLE•The German Quarterly•2015

    Gerhard Roth's novel from 1986, Am Abgrund , stands at the center of hismonumental and multi‐genre cycle, Die Archive des Schweigens . On one level, the novel can be read as an allegory of modern Austria, which Roth has called a “Reich des Schweigens.” Its main protagonists—the mute, ostensibly insane Lindner and the law student‐cum‐murderer Jenner—could represent the twinned dimensions of post‐war Austrian silence: guilt and trauma. More broadly…

  • Fractal Histories

    Gail M Newman, Gail Newman•ARTICLE•American imago•2017

    In a sketch of the seven-text cycle Orkus, the Austrian author Gerhard Roth likened the realm of silence—often a guilty silence—he explored in his works to the underworld, an "invisible 'other world' that is probed, and not really understood or 'explained'...in psychoanalysis." Examining the cycle's inaugural novel, The Lake, this essay argues that a multi-theoretical psychoanalysis is indeed able to help readers craft a nuanced understanding of …

  • "Confusion of Tongues"

    Gail Newman•ARTICLE•Journal of Austrian Studies•2020

    The protagonist of the title story in Bachmann's last collection Simultan is arguably at least as much language itself as it is the simultaneous translator Nadja. In the course of the narrative, Nadja experiences various kinds of danger associated with signification, from its suffocating presence to its terrifying absence. Readers, too, find themselves alternately drawn in, carried away, or completely shut out by the uniquely potent combination o…

Philosophy (9 works) · German Literature and Culture Studies (6 works) · Psychology (6 works) · Art (5 works) · Epistemology (4 works) · Literature (4 works) · Psychoanalysis (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Linguistics (3 works)

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