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Pregnancy, Thirdness, and The Aesthetics of Catastrophe in Heinrich Von Kleist

Bibliographic Data

ID9232194
AuthorsGail M Newman, Gail Newman (Williams College, corresponding author)
Year2012
Volume81
Issue1
Pages127-156
Publication date2012-01-01
Open AccessYes
TypeARTICLE
VenueThe Psychoanalytic Quarterly (JOURNAL)
Journal identifiersISSN: 0033-2828 • E-ISSN: 2167-4086
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1002/j.2167-4086.2012.tb00488.x
PMID22423437
OpenAlexW1970518905
LanguageEN
References cited14

In documenting his own personal crisis of faith in Enlightenment rationalism through letters and essays, Kleist exposes the epistemological fissures in its edifice. This paper explores in psychoanalytic terms the dilemmas associated with knowing and not knowing, and the relationship between self and other, revealed by these texts. Kleist's literary work goes beyond expressing this crisis of knowledge to enact a kind of solution to it, not resolving the contradictions that are central in his world but presenting them aesthetically, intact and precariously balanced. More specifically, a pregnancy conceived without the knowledge of the mother-to-be--in his novella "The Marquise of O" (1807a)--suggests a modification of the psychoanalytic third to include within it the catastrophe that it also mitigates

Aesthetics · Art · Enlightenment · Epistemology · Faith · Literature · Novella · Psychoanalysis · Psychoanalytic theory · Rationalism · German Literature and Culture Studies · Philosophy · Psychoanalysis and Social Critique · Psychology · Psychotherapy Techniques and Applications

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