André Flicker
Biographic Data
| ID | 5778697 |
|---|---|
| NAME | André Flicker |
| GIVEN NAMES | André |
| FAMILY NAME | Flicker |
| SIGNATURE | FLICKER A |
| AFFILIATIONS | University of Toronto |
| ORCID | 0009-0003-6086-3449 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Dada Historiography; or, How to End One’s Work
No other early twentieth-century avant-garde project and aesthetic movement occupied itself with its history and legacy to such a large extent as Dada. This urge to write their history is one of Dada’s complexities. It attests to their critical engagement with the discourses forming and informing the artistic work in the early twentieth century. Dada’s revolt against the art establishment and bourgeoise society is found not only in their composit…
Tracing the Singular of Contradiction in Contradiction(s) Set Free
Goldschmidt’s Contradiction Set Free confronts us with a variety of topics, political and philosophical topoi, in which he traces contradictions of thought and action. This article focuses on Goldschmidt’s omission of the sphere of language as a site of contradiction in Contradiction Set Free. I argue that it is a deliberate choice on the part of Goldschmidt to not project a metalanguage of contradiction, but to probe philosophy’s involvement in …
German Netflix Culture
The Linguistic Condition
The Linguistic Condition
German Netflix Culture
Tracing the Singular of Contradiction in Contradiction(s) Set Free
Goldschmidt’s Contradiction Set Free confronts us with a variety of topics, political and philosophical topoi, in which he traces contradictions of thought and action. This article focuses on Goldschmidt’s omission of the sphere of language as a site of contradiction in Contradiction Set Free. I argue that it is a deliberate choice on the part of Goldschmidt to not project a metalanguage of contradiction, but to probe philosophy’s involvement in …
Dada Historiography; or, How to End One’s Work
No other early twentieth-century avant-garde project and aesthetic movement occupied itself with its history and legacy to such a large extent as Dada. This urge to write their history is one of Dada’s complexities. It attests to their critical engagement with the discourses forming and informing the artistic work in the early twentieth century. Dada’s revolt against the art establishment and bourgeoise society is found not only in their composit…
Archaeology (2 works) · Epistemology (2 works) · History (2 works) · History (2 works) · Linguistics (2 works) · Philosophy (2 works) · Sociology (2 works) · Action (physics (1 work) · Art (1 work) · Art, Politics, and Modernism (1 work)