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William H McClain

Biographic Data

ID5778776
NAMEWilliam H McClain
GIVEN NAMESWilliam H
FAMILY NAMEMcClain
SIGNATUREMCCLAIN W H
AFFILIATIONSUniversity of Hohenheim
ORCID0000-0001-7022-8797
VERIFIEDYes
TOTAL WORKS35
TOTAL CITATIONS0
AUTHOR COUNT35
EDITOR COUNT0
FIRST PUBLICATION YEAR1944
LATEST PUBLICATION YEAR2016
H-INDEX0
  • A Pathway Forwards for the Social Capital Metaphor

    William McClain, William H McClain•ARTICLE•Review of Social Economy•2016•References: 55

    A major topic in economics is the analysis of a broad class of phenomena associated with interpersonal relationships, a topic that originally grew from theories of “social capital.” While the concept has been instrumental in bringing increased attention to social effects on economic outcomes, it has increasingly been replaced with approaches that consider instead networks and discrete interactions rather than aggregate measures of social capital.…

  • Criticism as Institution

    William H McClain•ARTICLE•Modern Language Notes•1987

    Because of the unique kinds of services academic criticism provides to its public, recent critics have encouraged us to think of it as an institution, analogous, as a purveyor of specialized services, to other institutions, such as religious organizations, governmental and social arrangements, educational institutions, and the law.' An opportunity to think of MLN as an aspect of the institution of academic criticism presented itself when the jour…

  • Three Unpublished August Wilhelm Schlegel Letters in the Kurrelmeyer Collection

    Lieselotte E Kurth-Voigt, William H McClain•ARTICLE•Modern Language Notes•1986

    In the field of Germanic studies the resources of the Johns Hopkins University Library were greatly augmented by the collection of books and manuscripts left as a legacy by the eminent Hopkins Germanist, William Kurrelmeyer. When presented to the library by the Kurrelmeyer family in 1957 the collection added 11,000 titles to the German holdings from the baroque period to the early nineteenth century. Since many titles represented multivolumed wor…

  • Im Buch die Bucher oder der Held als Leser

    William H McClain, Ralph-Rainer Wuthenow•ARTICLE•The German Quarterly•1984

  • Images of Crisis

    William H McClain, George P Landow•ARTICLE•The German Quarterly•1984

    Images, Situation, and Structures 2. Shipwrecks and Castaways 3. Related Paradigms 4. Iconology and technique Notes Index

  • Literatur des Realismus

    William H McClain, Hugo Aust•ARTICLE•The German Quarterly•1983

  • Goethe-Studies in MLN

    Lieselotte E Kurth-Voigt, William H McClain•ARTICLE•Modern Language Notes•1982

    The aim of the founders of MLN is defined by the first editorial board at the beginning of Volume I, No. 1 in January 18861 as that of providing much-needed special organ of communication in which scholars and teachers working in the fields of English, German, and Romance Languages, might express their opinions and have the benefit of frank and unbiased criticism of their personal views on literary or scientific and also find critical assessments…

  • Louise Mühlbach’s Historical Novels

    Lieselotte E Kurth-Voigt, William H McClain•ARTICLE•Internationales Archiv für…•1981

    Article Louise Mühlbach’s Historical Novels: The American Reception was published on January 1, 1981 in the journal Internationales Archiv für Sozialgeschichte der deutschen Literatur (volume 6, issue 1)

  • Von Arkadien nach Elysium. Schiller-Studien

    William H McClain, Gerhard Kaiser•ARTICLE•Modern Language Notes•1980

  • Perspektivische Strukturen einer Erinnerungsdichtung

    William H McClain, Fritz Rudiger Sammern-Frankenegg•ARTICLE•Modern Language Notes•1978

  • Thomas Mann-Studies in MLN

    Lieselotte E Kurth, William H McClain•ARTICLE•Modern Language Notes•1975

  • Traditions and Transitions. Studies in Honor of Harold Jantz

    Heinrich Meyer, Lieselotte E Kurth et al.•ARTICLE•Modern Language Notes•1973

  • Hermann Broch Daniel Brody Briefwechsel 1930-1951

    William H McClain, Bertold Hack et al.•ARTICLE•Modern Language Notes•1972

  • Stefan George's Swinburne Translations

    Karen Paul, William H McClain•ARTICLE•Modern Language Notes•1971

  • Versuch uber die Lyrik der Nelly Sachs

    William H McClain, Olof Lagercrantz•ARTICLE•Modern Language Notes•1970

  • Karl Gutzkow und seine Zeit

    William H McClain, Eitel Wolf Dobert•ARTICLE•The German Quarterly•1969

  • Otto Ludwig's Use of Biblical References in Der Erbforster

    Katherine Taylor, William H McClain•ARTICLE•Modern Language Notes•1969

  • From Karl Gutzkow's Letters

    William H McClain•ARTICLE•Modern Language Notes•1968

    William H. McClain, From Karl Gutzkow's Letters: The Genesis of the Gesammelte Werke as Reflected in the Correspondence with Hermann Costenoble, MLN, Vol. 83, No. 3, The German Issue (Apr., 1968), pp. 436-445

  • Die Gerstacker-Briefe in der Kurrelmeyer-Sammlung

    William H McClain•ARTICLE•Modern Language Notes•1967

  • Wirklichkeit und Kunstcharakter. Neun Romane des 19. Jahrhunderts

    William H McClain, Walter Killy•ARTICLE•The German Quarterly•1966

  • Between Real and Ideal

    Ida M Washington, William H McClain•ARTICLE•The German Quarterly•1966

  • Hoffmann

    William H McClain, Ronald Taylor•ARTICLE•Modern Language Notes•1965

  • Otto Ludwig and the Problem of Spannung in Fiction

    William H McClain•ARTICLE•Modern Language Notes•1965

  • Zwei unbekannte Otto Ludwig-Briefe

    Waltraut Leuschner-Meschke, William H McClain•ARTICLE•Modern Language Notes•1964

  • Wagnerian Overtones In Der Tod In Venedig

    William H McClain•ARTICLE•Modern Language Notes•1964

    In the history of modern music the first performance of Der Ring des Nibelungen at Bayreuth in August 1876 was an event without precedent or parallel. Never had the premiere of a musical work taken place under such unique circumstances and before such an audience. Nor had any previous musical composition demanded so much of the listener, who was required to keep in mind not only the content of four complex and highly symbolic poems, but also the …

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  • Goethe as Romain Rolland’s Compagnon de Route

    William H McClain•ARTICLE•The Germanic Review Literature…•1944

  • Kleist and Molière as Comic Writers

    William H McClain•ARTICLE•The Germanic Review Literature…•1949

    NotesThe best of these studies is Professor Nordmeyer’s excellent analysis and interpretation of Kleist’s Amphitryon which appears in Volumes XXXVIII and XXXIX of the Monatshefte für deutschen Unterricht.J. Kalepky has published an article which deals with this problem, “Zum Amphitryon-Montespan Problem,” Zeitschrift für französische Sprache und Literatur, LII (1929), 66 ff. This article offers a complete discussion of the work done up to that ti…

  • Remarks on the Intermediate Conversation-Composition Course

    William H McClain, Harry Zohn•ARTICLE•The German Quarterly•1950

  • Zweig and Rolland

    William H McClain, Harry Zohn•ARTICLE•The Germanic Review Literature…•1953

    NotesStefan Zweig, Die Welt von gestern (Stockholm, 1944), p. 279.We wish at this time to express our gratitude to Madame Marie Romain Rolland for graciously granting permission both to consult these letters and to quote from them in this study.Stefan and Friderike Zweig, Briefwechsel 1912–1942 (Bern, 1951), p. 181.A. Vallentin, “Stefan Zweig,” Europe, XXV (October 1947), 55.“Wir hatten nur einen einzigen Mahner unter uns, einen einzigen weit vor…

  • Nietzsche and the French. A Study of the Influence of Nietzsche's French Reading on his Thought and Writing.

    William H McClain, W D Williams•ARTICLE•Modern Language Notes•1954

  • Dantons Tod und Woyzeck

    William H McClain, Georg Buchner et al.•ARTICLE•The German Quarterly•1955

  • The Case of Hauptmann's Fallen Priest

    William H McClain•ARTICLE•The German Quarterly•1957

    Few contemporary writers have expressed more eloquently than Gerhart Hauptmann the great spiritual quest of modern man for a meaning for his life and for values by which he can live creatively. Even Hauptmann's earliest heroes might be called souls in search in the sense that most of them experience a conflict between inner self and outer reality. Thiel, Loth, Crampton, Schilling, Kramer, Heinrich the bell-founder, Florian Geyer, Emanuel Quint, a…

  • Schriften zur Literatur

    Lieselotte E Kurth, William H McClain et al.•ARTICLE•Modern Language Notes•1962

  • Karl Gutzkows Briefe an Hermann Costenoble

    William H McClain•ARTICLE•Modern Language Notes•1963

  • Zwei unbekannte Otto Ludwig-Briefe

    Waltraut Leuschner-Meschke, William H McClain•ARTICLE•Modern Language Notes•1964

  • Wagnerian Overtones In Der Tod In Venedig

    William H McClain•ARTICLE•Modern Language Notes•1964

    In the history of modern music the first performance of Der Ring des Nibelungen at Bayreuth in August 1876 was an event without precedent or parallel. Never had the premiere of a musical work taken place under such unique circumstances and before such an audience. Nor had any previous musical composition demanded so much of the listener, who was required to keep in mind not only the content of four complex and highly symbolic poems, but also the …

  • Between Real and Ideal, the Course of Otto Ludwig's Development as a Narrative Writer

    Robert R Brewster, William H McClain•ARTICLE•Modern Language Notes•1964

    Otto Ludwig, nineteenth-century German novelist and critic, originated the term "poetic realism". In this excellent study, Ludwig's prose is sympathetically and thoroughly examined and a clear account of the evolution of German fiction after Romanticism is presented. Taking Ludwig's narrative works together with his literary criticism, McClain shows how the author attempted to blend the real and the ideal to reach the goal of poetic realism as he…

  • Hoffmann

    William H McClain, Ronald Taylor•ARTICLE•Modern Language Notes•1965

  • Otto Ludwig and the Problem of Spannung in Fiction

    William H McClain•ARTICLE•Modern Language Notes•1965

  • Wirklichkeit und Kunstcharakter. Neun Romane des 19. Jahrhunderts

    William H McClain, Walter Killy•ARTICLE•The German Quarterly•1966

  • Between Real and Ideal

    Ida M Washington, William H McClain•ARTICLE•The German Quarterly•1966

  • Die Gerstacker-Briefe in der Kurrelmeyer-Sammlung

    William H McClain•ARTICLE•Modern Language Notes•1967

  • From Karl Gutzkow's Letters

    William H McClain•ARTICLE•Modern Language Notes•1968

    William H. McClain, From Karl Gutzkow's Letters: The Genesis of the Gesammelte Werke as Reflected in the Correspondence with Hermann Costenoble, MLN, Vol. 83, No. 3, The German Issue (Apr., 1968), pp. 436-445

  • Karl Gutzkow und seine Zeit

    William H McClain, Eitel Wolf Dobert•ARTICLE•The German Quarterly•1969

  • Otto Ludwig's Use of Biblical References in Der Erbforster

    Katherine Taylor, William H McClain•ARTICLE•Modern Language Notes•1969

  • Versuch uber die Lyrik der Nelly Sachs

    William H McClain, Olof Lagercrantz•ARTICLE•Modern Language Notes•1970

  • Stefan George's Swinburne Translations

    Karen Paul, William H McClain•ARTICLE•Modern Language Notes•1971

  • Hermann Broch Daniel Brody Briefwechsel 1930-1951

    William H McClain, Bertold Hack et al.•ARTICLE•Modern Language Notes•1972

  • Traditions and Transitions. Studies in Honor of Harold Jantz

    Heinrich Meyer, Lieselotte E Kurth et al.•ARTICLE•Modern Language Notes•1973

  • Thomas Mann-Studies in MLN

    Lieselotte E Kurth, William H McClain•ARTICLE•Modern Language Notes•1975

Art (31 works) · German Literature and Culture Studies (24 works) · Philosophy (21 works) · History (9 works) · Literature (8 works) · Art history (6 works) · Literature and Cultural Memory (5 works) · Musicology and Musical Analysis (5 works) · Humanities (4 works) · Art, Aesthetics, and Perception (3 works)

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