Christopher Warne
Biographic Data
| ID | 5801987 |
|---|---|
| NAME | Christopher Warne |
| GIVEN NAMES | Christopher |
| FAMILY NAME | Warne |
| SIGNATURE | WARNE C |
| AFFILIATIONS | University of Sussex |
| ORCID | 0000-0003-4055-3876 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 1 |
Investigating the sixties at a sixties institution
This article considers historical approaches to the sixties over the last thirty years, and argues in favour of an integrative transnational and thematic approach to the period. Rather than a conventional survey of historiography, it anchors its analysis in an account of teaching practice at a particular university, itself founded in the sixties. It considers the relationship between emerging research perspectives and teaching, taking into accoun…
Graphical Terrorism? Bazooka, Punk and Leftist Politics at Liberation Newspaper in 1970s France
This article considers the work of Bazooka, a small art collective comprising artists, graphic designers and strip-cartoonists who worked in Paris between 1975 and 1980. It thereby illuminates connections between youth and politics on the one hand, and emergent youth subcultures such as punk on the other. Its particular focus is on the group’s quasi-terroristic presence at the left newspaper Libération in 1977, and its challenge to key elements o…
Promoting punk
This article assesses the relationship between music and media in France through a focus on music journalism and promotion. It considers the activities of individuals who were vital to the promotion of punk during the middle 1970s. By presenting punk as a radically new culture able to renew the rock music scene in France, these promoters confronted central aspects of the relationship between music and media. Their shaping of debates on the origin…
Bringing Counterculture to France
This article considers the nature and role of counterculture in France in the aftermath of 1968. It engages with recent work by Kristin Ross who has argued that demagogic characterisations of May '68 around notions of ‘youth’ and ‘generation’ serve to depoliticise the event. This emphasis on the ‘cultural effects’ of 1968 is linked in Ross's account with the idea of counterculture, but the link between depoliticisation and counterculture is made …
Amateurs and Collectors
Investigating the sixties at a sixties institution
This article considers historical approaches to the sixties over the last thirty years, and argues in favour of an integrative transnational and thematic approach to the period. Rather than a conventional survey of historiography, it anchors its analysis in an account of teaching practice at a particular university, itself founded in the sixties. It considers the relationship between emerging research perspectives and teaching, taking into accoun…
Amateurs and Collectors
Bringing Counterculture to France
This article considers the nature and role of counterculture in France in the aftermath of 1968. It engages with recent work by Kristin Ross who has argued that demagogic characterisations of May '68 around notions of ‘youth’ and ‘generation’ serve to depoliticise the event. This emphasis on the ‘cultural effects’ of 1968 is linked in Ross's account with the idea of counterculture, but the link between depoliticisation and counterculture is made …
Promoting punk
This article assesses the relationship between music and media in France through a focus on music journalism and promotion. It considers the activities of individuals who were vital to the promotion of punk during the middle 1970s. By presenting punk as a radically new culture able to renew the rock music scene in France, these promoters confronted central aspects of the relationship between music and media. Their shaping of debates on the origin…
Graphical Terrorism? Bazooka, Punk and Leftist Politics at Liberation Newspaper in 1970s France
This article considers the work of Bazooka, a small art collective comprising artists, graphic designers and strip-cartoonists who worked in Paris between 1975 and 1980. It thereby illuminates connections between youth and politics on the one hand, and emergent youth subcultures such as punk on the other. Its particular focus is on the group’s quasi-terroristic presence at the left newspaper Libération in 1977, and its challenge to key elements o…
Investigating the sixties at a sixties institution
This article considers historical approaches to the sixties over the last thirty years, and argues in favour of an integrative transnational and thematic approach to the period. Rather than a conventional survey of historiography, it anchors its analysis in an account of teaching practice at a particular university, itself founded in the sixties. It considers the relationship between emerging research perspectives and teaching, taking into accoun…
Historical Studies and Socio-cultural Analysis (5 works) · Art (4 works) · Communism, Protests, Social Movements (4 works) · Media studies (4 works) · Sociology (4 works) · Art history (3 works) · French Historical and Cultural Studies (3 works) · History (3 works) · Law (3 works) · Political science (3 works)