Anna Souchuk
Biographic Data
| ID | 5811757 |
|---|---|
| NAME | Anna Souchuk |
| GIVEN NAMES | Anna |
| FAMILY NAME | Souchuk |
| SIGNATURE | SOUCHUK A |
| AFFILIATIONS | DePaul University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
“Das Schreckliche Ist Schon Schrecklich Genug”
Linda Stift’s novel Kein einziger Tag and Markus Schleinzer’s film Michael both emerged in 2011 with a common theme: the protagonist in each has a prisoner locked in his basement. Reviews of both works drew immediate parallels to the Austrian Kampusch and Fritzl cases. Meanwhile, Elfriede Jelinek’s Im Verlassenen (2008) uses the Fritzl story to instigate a critique of power structures in Austrian society. Taken together, all three texts use the b…
Feeling Out of Place
Josef Haslinger's Jáchymov (2011) is many things at once: the tragic story of the famous Czech ice hockey goalkeeper Bohumil Modrý, unjustly sentenced to brutal manual labour in the uranium mines of the Czech city of Jáchymov in 1950, and also an examination of place, a concept used here to engender discussions of memory and its attachment to lived space. Place is represented threefold in Haslinger's novel: by Jáchymov and its changing identity o…
"Alles Ist Unter der Oberfläche Noch Lebendig"
In the novels Opernball and Schbumkehr , written by Josef Haslinger and Robert Menasse, respectively, satire is manifested in Reso Dorf and Adolf König: secondary but nevertheless significant characters that represent a critique of Austrian attitudes toward self-representation. Dorf, Vienna's police commissioner, is a parody of the mannerisms and populist rhetoric of the now-deceased Jörg Haider in Haslinger's Opernball . Adolf König, the Social-…
No prominent works on this page.
"Alles Ist Unter der Oberfläche Noch Lebendig"
In the novels Opernball and Schbumkehr , written by Josef Haslinger and Robert Menasse, respectively, satire is manifested in Reso Dorf and Adolf König: secondary but nevertheless significant characters that represent a critique of Austrian attitudes toward self-representation. Dorf, Vienna's police commissioner, is a parody of the mannerisms and populist rhetoric of the now-deceased Jörg Haider in Haslinger's Opernball . Adolf König, the Social-…
“Das Schreckliche Ist Schon Schrecklich Genug”
Linda Stift’s novel Kein einziger Tag and Markus Schleinzer’s film Michael both emerged in 2011 with a common theme: the protagonist in each has a prisoner locked in his basement. Reviews of both works drew immediate parallels to the Austrian Kampusch and Fritzl cases. Meanwhile, Elfriede Jelinek’s Im Verlassenen (2008) uses the Fritzl story to instigate a critique of power structures in Austrian society. Taken together, all three texts use the b…
Feeling Out of Place
Josef Haslinger's Jáchymov (2011) is many things at once: the tragic story of the famous Czech ice hockey goalkeeper Bohumil Modrý, unjustly sentenced to brutal manual labour in the uranium mines of the Czech city of Jáchymov in 1950, and also an examination of place, a concept used here to engender discussions of memory and its attachment to lived space. Place is represented threefold in Haslinger's novel: by Jáchymov and its changing identity o…
Art (3 works) · Art history (2 works) · German Colonialism and Identity Studies (2 works) · German Literature and Culture Studies (2 works) · Literature (2 works) · Philosophy (2 works) · Psychology (2 works) · Aesthetics (1 work) · Central European Literary Studies (1 work) · Central European national history (1 work)