Noa Hegesh
Biographic Data
| ID | 5826318 |
|---|---|
| NAME | Noa Hegesh |
| GIVEN NAMES | Noa |
| FAMILY NAME | Hegesh |
| SIGNATURE | HEGESH N |
| AFFILIATIONS | Max Planck Institute for the History of Science |
| ORCID | 0000-0002-8584-3300 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Special Section: Transience: Politics and Practices of Time in China’s Period of Division (220–589 CE)
The term transience refers to a state of change. It points to the ephemeral, the shifting, the temporary. As a human experience, a state of transience encompasses a subjective perception of floatin
Old Music, New Times: Zhangsun Shaoyuan and the Ritual Music of the Northern Zhou
With the spread and flourishing of non-Han musical cultures, instruments, and performances in China’s Period of Division (220–589 CE), some musical customs within the northern ruling courts persisted in the vein of their Han predecessors. Courtiers and officials drew upon canonical texts as they engaged in discussions about musical execution, at times offering their own innovative interpretations. This article focuses on one such intense exchange…
Mind the Gap: Acoustical Answers to Cosmological Concerns in First-Century b.c.e. China
From the mid-third century b.c.e., Chinese experts used the manipulation of sound as a technology to synchronize society with the cosmos. In the Western Han, the polymath Jing Fang 京房 (78–37 b.c.e.) detected an acoustical problem, known in the West as the Pythagorean comma, in the musical system. In the Chinese system, the comma is characterized by a minute but audible discrepancy, a gap between two pitches that should sound identical and that ca…
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Mind the Gap: Acoustical Answers to Cosmological Concerns in First-Century b.c.e. China
From the mid-third century b.c.e., Chinese experts used the manipulation of sound as a technology to synchronize society with the cosmos. In the Western Han, the polymath Jing Fang 京房 (78–37 b.c.e.) detected an acoustical problem, known in the West as the Pythagorean comma, in the musical system. In the Chinese system, the comma is characterized by a minute but audible discrepancy, a gap between two pitches that should sound identical and that ca…
Special Section: Transience: Politics and Practices of Time in China’s Period of Division (220–589 CE)
The term transience refers to a state of change. It points to the ephemeral, the shifting, the temporary. As a human experience, a state of transience encompasses a subjective perception of floatin
Old Music, New Times: Zhangsun Shaoyuan and the Ritual Music of the Northern Zhou
With the spread and flourishing of non-Han musical cultures, instruments, and performances in China’s Period of Division (220–589 CE), some musical customs within the northern ruling courts persisted in the vein of their Han predecessors. Courtiers and officials drew upon canonical texts as they engaged in discussions about musical execution, at times offering their own innovative interpretations. This article focuses on one such intense exchange…
Art (3 works) · History (3 works) · Archaeology (2 works) · China (2 works) · Law (2 works) · Mathematics (2 works) · Politics (2 works) · Acoustics (1 works) · Advertising (1 works) · Aesthetics (1 works)