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Mind the Gap

Acoustical Answers to Cosmological Concerns in First-Century b.c.e. China

Bibliographic Data

ID9997564
AuthorsNoa Hegesh (0000-0002-8584-3300, Max Planck Institute for the History of Science, corresponding author)
Year2021
Volume112
Issue4
Pages645-669
Publication date2021-12-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueIsis (JOURNAL)
Journal identifiersISSN: 0021-1753 • E-ISSN: 1545-6994
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/717069
OpenAlexW4200509875
LanguageEN
Citations received3
References cited16

From the mid-third century b.c.e., Chinese experts used the manipulation of sound as a technology to synchronize society with the cosmos. In the Western Han, the polymath Jing Fang 京房 (78–37 b.c.e.) detected an acoustical problem, known in the West as the Pythagorean comma, in the musical system. In the Chinese system, the comma is characterized by a minute but audible discrepancy, a gap between two pitches that should sound identical and that carry the same numerical representation. Jing Fang reduced the comma by designing a model of sixty pitches, superposed onto the calendar. This essay argues that his acoustical endeavors are inseparable from his ultimate goal: to track seasonal change accurately throughout the year and use it in weather prognostications. Sound was the tool he used to measure the yearly flux of qi and interpret what contemporary thinkers had termed the hidden realities and subtle transformations of the cosmos

Acoustics · Archaeology · Art · Art history · China · Fang · Geometry · Literature · Musical · Physics · Politics · Polymath · Pythagorean theorem · Representation (politics) · Sinology · Sound (geography) · Historical Astronomy and Related Studies · History · Law · Mathematics · Philosophy

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    Open Access•Michael Loewe•Bulletin of the School of…•2015

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Unique citing works3
Citations per year0,75
Citation span2022 - 2025 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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