Beatriz Oria Gómez
Biographic Data
| ID | 5871094 |
|---|---|
| NAME | Beatriz Oria Gómez |
| GIVEN NAMES | Beatriz Oria |
| FAMILY NAME | Gómez |
| SIGNATURE | GÓMEZ B O |
| AFFILIATIONS | Universidad de Zaragoza |
| ORCID | 0000-0002-0663-0519 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Women on top? Challenging the “mancession” narrative in the 2010s chick flick
The term “mancession” appeared after the economic crisis, spreading the false assumption that men were more affected by the recession than women. This discourse was fuelled across different US media outlets, including film. Some genres, such as the corporate melodrama, supported this rhetoric directly, while others did so more obliquely, as is the case of the chick flick, which pivoted to the trope of the successful working woman during the 2010s…
Love Is a Man's Thing
The first decade of the twenty-first century has witnessed the rise of the Hollywood “homme-com,” a romantic comedy cycle primarily focused on the male half of the couple. This essay explores Spanish cinema's take on this emergent genre, interrogating contemporary notions of Spanish national identity and masculinity along the way
What's Love Got to Do With It? Sex and the City 's Comic Perspective on Sex
Genre and ideology in Woody Allen's Another Woman (1988)
This paper analyses Another Woman, one of Allen’s serious films of the eighties, in the light of two genres traditionally associated with the expression of female subjectivity: melodrama and the woman’s film. Taking into account these genres’ conventions, I explore the issues of identity crisis and female repression under patriarchy through an analysis of the film’s protagonist. With this purpose in mind, Another Woman is read in connection with …
Women on top? Challenging the “mancession” narrative in the 2010s chick flick
The term “mancession” appeared after the economic crisis, spreading the false assumption that men were more affected by the recession than women. This discourse was fuelled across different US media outlets, including film. Some genres, such as the corporate melodrama, supported this rhetoric directly, while others did so more obliquely, as is the case of the chick flick, which pivoted to the trope of the successful working woman during the 2010s…
What's Love Got to Do With It? Sex and the City 's Comic Perspective on Sex
Genre and ideology in Woody Allen's Another Woman (1988)
This paper analyses Another Woman, one of Allen’s serious films of the eighties, in the light of two genres traditionally associated with the expression of female subjectivity: melodrama and the woman’s film. Taking into account these genres’ conventions, I explore the issues of identity crisis and female repression under patriarchy through an analysis of the film’s protagonist. With this purpose in mind, Another Woman is read in connection with …
What's Love Got to Do With It? Sex and the City 's Comic Perspective on Sex
Love Is a Man's Thing
The first decade of the twenty-first century has witnessed the rise of the Hollywood “homme-com,” a romantic comedy cycle primarily focused on the male half of the couple. This essay explores Spanish cinema's take on this emergent genre, interrogating contemporary notions of Spanish national identity and masculinity along the way
Women on top? Challenging the “mancession” narrative in the 2010s chick flick
The term “mancession” appeared after the economic crisis, spreading the false assumption that men were more affected by the recession than women. This discourse was fuelled across different US media outlets, including film. Some genres, such as the corporate melodrama, supported this rhetoric directly, while others did so more obliquely, as is the case of the chick flick, which pivoted to the trope of the successful working woman during the 2010s…
Art (4 works) · Literature (4 works) · Sociology (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · Gender Studies (3 works) · Political science (3 works) · Cinema and Media Studies (2 works) · Gender, Feminism, and Media (2 works) · Identity (music (2 works)