Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Women on top? Challenging the “mancession” narrative in the 2010s chick flick

Bibliographic Data

ID12689790
AuthorsBeatriz Oria Gómez (0000-0002-0663-0519, Universidad de Zaragoza, corresponding author)
Year2022
Volume23
Issue8
Pages3793-3808
Publication date2022-10-31
Open AccessYes
TypeARTICLE
VenueFeminist Media Studies (JOURNAL)
Journal identifiersISSN: 1468-0777 • E-ISSN: 1471-5902
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14680777.2022.2137830
OpenAlexW4307890929
LanguageEN
Citations received1
References cited14

The term “mancession” appeared after the economic crisis, spreading the false assumption that men were more affected by the recession than women. This discourse was fuelled across different US media outlets, including film. Some genres, such as the corporate melodrama, supported this rhetoric directly, while others did so more obliquely, as is the case of the chick flick, which pivoted to the trope of the successful working woman during the 2010s. While some contemporary films seem to pander to the myth of the “mancession” by showing women getting ahead in their careers while men fall implicitly or explicitly behind, this article argues that there is an increasing number of chick flicks that highlight sexism and gender inequality at the workplace, challenging postfeminist images of female success and empowerment. The essay analyzes how post-2008 (but pre-pandemic) working woman chick flicks downplay traditional concerns in the genre, such as romance, and open their scope to focus on women’s professional struggles, deploying the “mancession” narrative only to expose its contrivance, thus showing a greater feminist awareness than many of their predecessors often do

Aesthetics · Art · Empowerment · Literature · Media studies · Narrative · Political science · Recession · Rhetoric · Sociology · Trope (literature · Gender Diversity and Inequality · Gender Politics and Representation · Gender Studies · Gender, Feminism, and Media · Law

  • To fight, to confront, and to resist

    Open Access•Janno Yanjun He, Liming Liu•Feminist Media Studies•2025

  • “I’m Taken … by Myself”

    Beatriz Oria•Journal of Film and Video•2021

  • Neoliberal frames and genres of inequality

    Open Access•Diane Negra, Yvonne Tasker•European Journal of Cultural…•2013

  • Transnational representation of a gendered recession in corporate dramas

    Open Access•Elena Oliete Aldea•European Journal of Cultural…•2020

  • Of Mancessions and Hecoveries

    Open Access•Dara Z Strolovitch•Perspectives on Politics•2013

  • Feminism for Them

    Susan Faludi•The Baffler•2013

Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

Tools

Open DOIOpen Access
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae