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Richard F Rose

Biographic Data

ID5872783
NAMERichard F Rose
GIVEN NAMESRichard F
FAMILY NAMERose
SIGNATUREROSE R F
AFFILIATIONSMiami—Dade Community College
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS5
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR1995
H-INDEX1
  • Eminence Choices in Three Musical Genres and Music Media Preferences

    Open Access•Richard F Rose, Michael J Wagner•ARTICLE•Journal of Research in Music…•1995•References: 4

    Subjects in college classes (N = 413) were asked to list five compositions that should “live forever” in three categories: pop/rock, orchestral, and choral/operatic. The students also provided information regarding musical training listening habits, and ownership of audio equipment. Fewer than 50% of the subjects listed five compositions in any one category. Subjects with approximately 10 years of music training completed more entries in the orch…

  • The Miami Sound”

    James R Curtis, Richard F Rose•ARTICLE•Journal of Cultural Geography•1983•Cited by: 5

    The concept of place-specific music, including its characteristics and formative dynamics, is introduced in this case study of the Miami Sound, a contemporary form of Latin commercial music that emerged in south Florida and has diffused rapidly since the mid-1970s. By analyzing musical components, it is concluded that the Miami Sound is a fusion of Latin, especially Cuban, musical influences with North American popular music formats and elements

  • The Miami Sound”

    James R Curtis, Richard F Rose•ARTICLE•Journal of Cultural Geography•1983•Cited by: 5

    The concept of place-specific music, including its characteristics and formative dynamics, is introduced in this case study of the Miami Sound, a contemporary form of Latin commercial music that emerged in south Florida and has diffused rapidly since the mid-1970s. By analyzing musical components, it is concluded that the Miami Sound is a fusion of Latin, especially Cuban, musical influences with North American popular music formats and elements

  • The Miami Sound”

    James R Curtis, Richard F Rose•ARTICLE•Journal of Cultural Geography•1983•Cited by: 5

    The concept of place-specific music, including its characteristics and formative dynamics, is introduced in this case study of the Miami Sound, a contemporary form of Latin commercial music that emerged in south Florida and has diffused rapidly since the mid-1970s. By analyzing musical components, it is concluded that the Miami Sound is a fusion of Latin, especially Cuban, musical influences with North American popular music formats and elements

  • Eminence Choices in Three Musical Genres and Music Media Preferences

    Open Access•Richard F Rose, Michael J Wagner•ARTICLE•Journal of Research in Music…•1995•References: 4

    Subjects in college classes (N = 413) were asked to list five compositions that should “live forever” in three categories: pop/rock, orchestral, and choral/operatic. The students also provided information regarding musical training listening habits, and ownership of audio equipment. Fewer than 50% of the subjects listed five compositions in any one category. Subjects with approximately 10 years of music training completed more entries in the orch…

Acoustics (2 works) · Art (2 works) · Musical (2 works) · Popular music (2 works) · Visual arts (2 works) · Active listening (1 work) · Audio equipment (1 work) · Choir (1 work) · Communication (1 work) · Communication (1 work)

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