Nicole Hudgins
Biographic Data
| ID | 5876048 |
|---|---|
| NAME | Nicole Hudgins |
| GIVEN NAMES | Nicole |
| FAMILY NAME | Hudgins |
| SIGNATURE | HUDGINS N |
| AFFILIATIONS | University of Baltimore |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Le genre de la coloration: Masculinité, féminité et photographies coloriées à la main dans le monde nord-atlantique, 1850-1880
L’analyse des articles publiés dans la seconde moitié du xixe siècle au sujet de la coloration à la main des photographies montre que, malgré les tentatives initiales de faire de cette pratique une profession « masculine » exigeant savoir-faire et talent artistique, le rejet de la coloration par l’establishment, ainsi que les efforts des propriétaires de studios pour produire en série des images coloriées par une main-d’œuvre payée à la tâche, on…
Art and Death in French Photographs of Ruins, 1914-1918
The avalanche of ruin photography in the archives, albums, publications, and propaganda of World War I France challenges us to understand what functions such images fulfilled beyond their use as visual documentation. Did wartime images of ruin continue the European tradition of ruiniste art that went back hundreds of years? Or did their violence represent a break from the past? This article explores how ruin photography of the period fits into a …
Neither Pictorialism nor Documentary Photography: The Camera's Uses and the Struggle for Self-Expression in Industrial Cities, ca .1857–1907
Can the regional contexts of photography help us better understand the medium's uses and aesthetics? This article shows that while nineteenth-century art photographers in the capitals applied academic theories of painting in their work (a movement called Pictorialism), regional photographers in the industrial cities of Britain and France showed much less interest in Pictorialism, focusing their attention more on an array of local, commercial, and…
A Historical Approach to Family Photography: Class and Individuality in Manchester and Lille, 1850-1914
The historian cannot afford to dismiss family photographs as mere symbols of bourgeois hegemony as critics and sociologists have done. Workers, moreover, frequently obtained their portraits, not to imitate their bourgeois “superiors,” but to show their pride in their own accomplishments and their children’s. Family collections of the mid-nineteenth and early twentieth-century can open up a world of life, death, aspirations, and sorrows when we in…
A Historical Approach to Family Photography: Class and Individuality in Manchester and Lille, 1850-1914
The historian cannot afford to dismiss family photographs as mere symbols of bourgeois hegemony as critics and sociologists have done. Workers, moreover, frequently obtained their portraits, not to imitate their bourgeois “superiors,” but to show their pride in their own accomplishments and their children’s. Family collections of the mid-nineteenth and early twentieth-century can open up a world of life, death, aspirations, and sorrows when we in…
A Historical Approach to Family Photography: Class and Individuality in Manchester and Lille, 1850-1914
The historian cannot afford to dismiss family photographs as mere symbols of bourgeois hegemony as critics and sociologists have done. Workers, moreover, frequently obtained their portraits, not to imitate their bourgeois “superiors,” but to show their pride in their own accomplishments and their children’s. Family collections of the mid-nineteenth and early twentieth-century can open up a world of life, death, aspirations, and sorrows when we in…
Neither Pictorialism nor Documentary Photography: The Camera's Uses and the Struggle for Self-Expression in Industrial Cities, ca .1857–1907
Can the regional contexts of photography help us better understand the medium's uses and aesthetics? This article shows that while nineteenth-century art photographers in the capitals applied academic theories of painting in their work (a movement called Pictorialism), regional photographers in the industrial cities of Britain and France showed much less interest in Pictorialism, focusing their attention more on an array of local, commercial, and…
Art and Death in French Photographs of Ruins, 1914-1918
The avalanche of ruin photography in the archives, albums, publications, and propaganda of World War I France challenges us to understand what functions such images fulfilled beyond their use as visual documentation. Did wartime images of ruin continue the European tradition of ruiniste art that went back hundreds of years? Or did their violence represent a break from the past? This article explores how ruin photography of the period fits into a …
Le genre de la coloration: Masculinité, féminité et photographies coloriées à la main dans le monde nord-atlantique, 1850-1880
L’analyse des articles publiés dans la seconde moitié du xixe siècle au sujet de la coloration à la main des photographies montre que, malgré les tentatives initiales de faire de cette pratique une profession « masculine » exigeant savoir-faire et talent artistique, le rejet de la coloration par l’establishment, ainsi que les efforts des propriétaires de studios pour produire en série des images coloriées par une main-d’œuvre payée à la tâche, on…
Art (4 works) · Art history (3 works) · History (3 works) · Photography (3 works) · Photography and Visual Culture (3 works) · Visual arts (3 works) · Historical Art and Culture Studies (2 works) · History (2 works) · Sociology (2 works) · Aesthetics (1 works)