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A Historical Approach to Family Photography

Class and Individuality in Manchester and Lille, 1850-1914

Bibliographic Data

ID9080565
AuthorsNicole Hudgins (University of Baltimore, corresponding author)
Year2010
Volume43
Issue3
Pages559-586
Publication date2010-03-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Social History (JOURNAL)
Journal identifiersISSN: 0022-4529 • E-ISSN: 1527-1897
PublisherOxford University Press (OUP) (PUBLISHER)
DOI10.1353/jsh.0.0298
OpenAlexW1983047422
LanguageEN
Citations received6
References cited15

The historian cannot afford to dismiss family photographs as mere symbols of bourgeois hegemony as critics and sociologists have done. Workers, moreover, frequently obtained their portraits, not to imitate their bourgeois “superiors,” but to show their pride in their own accomplishments and their children’s. Family collections of the mid-nineteenth and early twentieth-century can open up a world of life, death, aspirations, and sorrows when we investigate the archive surrounding such images. Here the author investigates the stories behind family collections in two European industrial towns, in order to discover how ordinary men and women use photography to construct their own histories

Art · Art history · Class (philosophy) · Epistemology · Media studies · Photography · Sociology · Spring (device) · Visual arts · Engineering · Historical Art and Culture Studies · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Philosophy · Photography and Visual Culture

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Unique citing works6
Citations per year0,5
Citation span2014 - 2022 (9)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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