Brigitta Zics
Biographic Data
| ID | 5890091 |
|---|---|
| NAME | Brigitta Zics |
| GIVEN NAMES | Brigitta |
| FAMILY NAME | Zics |
| SIGNATURE | ZICS B |
| AFFILIATIONS | Brigitta Zics (artist, educator), Culture Lab, Newcastle University, Grand Assembly Rooms, King's Walk, Newcastle, NE1 7RU, U.K., and University of Wales, Newport, Caerleon Campus, Lodge Road, Caerleon, Newport NP18 3QT, Wales, U.K.. Web: , . |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
SIGGRAPH 2019 Art Gallery
August 01 2019 SIGGRAPH 2019 Art Gallery John Wong, John Wong John Wong Art, Hong Kong, www.johnwong.asiaJohn Wong is a multimedia artist. His work is always questioning the ideas of trust, self-identity, modern superstition over the relationship of Chinese traditional cultures and new technology. Algorithmic installation art RuShi just exhibited at Microwave International New Media Arts Festival 2018. His debut feature, The Tourist, was screened…
Fiction and curatorial practice
Increasingly, digital artworks are developed as part of research endeavours, and respond to a cultural climate which values co-creation, practices of tinkering, re-cycling or re-purposing and innovation. As a consequence, these works tend to be unstable, constantly open to change and to the intervention of possible collaborators. Because of such openness to transformation and their involvement in knowledge production and sharing, they can be cons…
Toward an Affective Aesthetics
This article presents two interactive artworks that represent a shift in artistic practice in their approach to active spectatorship. This approach to interaction incorporates the cognitive processes of the participant through an aesthetic interconnection between technological effect and affective human response. The discussion of the artworks seeks to demonstrate how this aesthetic interconnection creates a novel approach to an engagement with i…
No prominent works on this page.
Toward an Affective Aesthetics
This article presents two interactive artworks that represent a shift in artistic practice in their approach to active spectatorship. This approach to interaction incorporates the cognitive processes of the participant through an aesthetic interconnection between technological effect and affective human response. The discussion of the artworks seeks to demonstrate how this aesthetic interconnection creates a novel approach to an engagement with i…
Fiction and curatorial practice
Increasingly, digital artworks are developed as part of research endeavours, and respond to a cultural climate which values co-creation, practices of tinkering, re-cycling or re-purposing and innovation. As a consequence, these works tend to be unstable, constantly open to change and to the intervention of possible collaborators. Because of such openness to transformation and their involvement in knowledge production and sharing, they can be cons…
SIGGRAPH 2019 Art Gallery
August 01 2019 SIGGRAPH 2019 Art Gallery John Wong, John Wong John Wong Art, Hong Kong, www.johnwong.asiaJohn Wong is a multimedia artist. His work is always questioning the ideas of trust, self-identity, modern superstition over the relationship of Chinese traditional cultures and new technology. Algorithmic installation art RuShi just exhibited at Microwave International New Media Arts Festival 2018. His debut feature, The Tourist, was screened…
Art (3 works) · Psychology (3 works) · Aesthetics (2 works) · Computer Science (2 works) · Visual arts (2 works) · Aesthetic Perception and Analysis (1 work) · Affect (linguistics) (1 work) · Architecture and Computational Design (1 work) · Art history (1 work) · Augmented Reality Applications (1 work)