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Gifford Phillips

Biographic Data

ID5891010
NAMEGifford Phillips
GIVEN NAMESGifford
FAMILY NAMEPhillips
SIGNATUREPHILLIPS G
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS0
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR1984
H-INDEX0
  • The Sociology of Art

    Gifford Phillips, Kenneth J Northcott et al.•REVIEW•Leonardo•1984

  • Analyzing an Art Museum

    Gifford Phillips, William S Hendon•ARTICLE•Leonardo•1983

  • Research in Sociology of Knowledge, Sciences and Art (Vol. 2)

    Gifford Phillips, Robert Alun Jones et al.•ARTICLE•Leonardo•1981

  • Art in Society

    Gifford Phillips, Michael Greenlalgh et al.•ARTICLE•Leonardo•1981

  • Camp William James

    Gifford Phillips, Jack J Preiss•ARTICLE•Leonardo•1980

  • The Subsidized Muse

    Gifford Phillips, Dick Netzer•ARTICLE•Leonardo•1980

    The open question the case for large-scale public support for the arts patterns of public support direct subsidy programs in the United States the effects of public support on the arts support for the arts and the public interest the direction of public policy - some recommendations

  • Popular Culture and High Culture

    Herbert J Gans, Gifford Phillips•ARTICLE•Leonardo•1979

  • The Social Role of Art

    Gifford Phillips, Donald Brook•ARTICLE•Leonardo•1979

  • "A Commentary on Daniel Bell's Book "The Cultural Contradictions of Capitalism

    Gifford Phillips•ARTICLE•Leonardo•1978

    The relationship between capitalism and the arts has received too little serious study, and much that has been written on the subject suffers from ideological bias. Cultural historians have noted that in capitalist countries an art market system emerged in the past two centuries replacing an earlier reliance of artists on the patronage of aristocracy and church; whereas in socialist countries a greater portion of artist support has been assumed b…

  • Popular Culture and High Culture

    Gifford Phillips, Joseph Ben-David et al.•REVIEW•Leonardo•1978

  • Art in Society

    Gifford Phillips, Ken Baynes et al.•ARTICLE•Leonardo•1977

  • The Awkward Embrace

    Gifford Phillips, Joan Simpson Burns•ARTICLE•Leonardo•1977

  • The New Deal for Artists

    Gifford Phillips, Richard D Mckinzie•ARTICLE•Leonardo•1976

  • Unesco and Cultural Development

    Gifford Phillips•ARTICLE•Leonardo•1975

    There is a consuming interest today in culture. One reads incessantly in the West of the 'cultural crisis', the 'cultural revolution', the 'counterculture'. Increasingly culture is viewed by some people as the only salvation for the civilized world -if indeed any salvation is possible. Culture is thought to be a more effective restorative of civilized society than religion, which is seen as either too parochial or too esoteric; more dependable th…

  • Social Challenge to Art in America

    Gifford Phillips•ARTICLE•Leonardo•1973

    The author discusses the appearance on the visual fine art scene in the U.S.A. in the 1950 ’s of popularism (the popularization of the elitist view of art) and in the 1960 ’s of populism (an egalitarian approach to artists, their work and the public). The steps that have been taken by the proponents of these two approaches to democratize art are reviewed, as well as the results so far obtained. He concludes that popularism has but little affected…

  • The Social Challenge to Art in America

    Gifford Phillips•ARTICLE•Leonardo•1973

    The author discusses the appearance on the visual fine art scene in the U.S.A. in the 1950 ’s of popularism (the popularization of the elitist view of art) and in the 1960 ’s of populism (an egalitarian approach to artists, their work and the public). The steps that have been taken by the proponents of these two approaches to democratize art are reviewed, as well as the results so far obtained. He concludes that popularism has but little affected…

No prominent works on this page.

  • Social Challenge to Art in America

    Gifford Phillips•ARTICLE•Leonardo•1973

    The author discusses the appearance on the visual fine art scene in the U.S.A. in the 1950 ’s of popularism (the popularization of the elitist view of art) and in the 1960 ’s of populism (an egalitarian approach to artists, their work and the public). The steps that have been taken by the proponents of these two approaches to democratize art are reviewed, as well as the results so far obtained. He concludes that popularism has but little affected…

  • The Social Challenge to Art in America

    Gifford Phillips•ARTICLE•Leonardo•1973

    The author discusses the appearance on the visual fine art scene in the U.S.A. in the 1950 ’s of popularism (the popularization of the elitist view of art) and in the 1960 ’s of populism (an egalitarian approach to artists, their work and the public). The steps that have been taken by the proponents of these two approaches to democratize art are reviewed, as well as the results so far obtained. He concludes that popularism has but little affected…

  • Unesco and Cultural Development

    Gifford Phillips•ARTICLE•Leonardo•1975

    There is a consuming interest today in culture. One reads incessantly in the West of the 'cultural crisis', the 'cultural revolution', the 'counterculture'. Increasingly culture is viewed by some people as the only salvation for the civilized world -if indeed any salvation is possible. Culture is thought to be a more effective restorative of civilized society than religion, which is seen as either too parochial or too esoteric; more dependable th…

  • The New Deal for Artists

    Gifford Phillips, Richard D Mckinzie•ARTICLE•Leonardo•1976

  • Art in Society

    Gifford Phillips, Ken Baynes et al.•ARTICLE•Leonardo•1977

  • The Awkward Embrace

    Gifford Phillips, Joan Simpson Burns•ARTICLE•Leonardo•1977

  • "A Commentary on Daniel Bell's Book "The Cultural Contradictions of Capitalism

    Gifford Phillips•ARTICLE•Leonardo•1978

    The relationship between capitalism and the arts has received too little serious study, and much that has been written on the subject suffers from ideological bias. Cultural historians have noted that in capitalist countries an art market system emerged in the past two centuries replacing an earlier reliance of artists on the patronage of aristocracy and church; whereas in socialist countries a greater portion of artist support has been assumed b…

  • Popular Culture and High Culture

    Gifford Phillips, Joseph Ben-David et al.•REVIEW•Leonardo•1978

  • Popular Culture and High Culture

    Herbert J Gans, Gifford Phillips•ARTICLE•Leonardo•1979

  • The Social Role of Art

    Gifford Phillips, Donald Brook•ARTICLE•Leonardo•1979

  • Camp William James

    Gifford Phillips, Jack J Preiss•ARTICLE•Leonardo•1980

  • The Subsidized Muse

    Gifford Phillips, Dick Netzer•ARTICLE•Leonardo•1980

    The open question the case for large-scale public support for the arts patterns of public support direct subsidy programs in the United States the effects of public support on the arts support for the arts and the public interest the direction of public policy - some recommendations

  • Research in Sociology of Knowledge, Sciences and Art (Vol. 2)

    Gifford Phillips, Robert Alun Jones et al.•ARTICLE•Leonardo•1981

  • Art in Society

    Gifford Phillips, Michael Greenlalgh et al.•ARTICLE•Leonardo•1981

  • Analyzing an Art Museum

    Gifford Phillips, William S Hendon•ARTICLE•Leonardo•1983

  • The Sociology of Art

    Gifford Phillips, Kenneth J Northcott et al.•REVIEW•Leonardo•1984

Art (14 works) · Cultural Industries and Urban Development (12 works) · Visual arts (10 works) · Sociology (7 works) · Art History and Market Analysis (4 works) · Aesthetics (3 works) · Art Education and Development (3 works) · Art history (3 works) · Philosophy (3 works) · Political science (3 works)

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