Irina L Vanechkina
Biographic Data
| ID | 5891059 |
|---|---|
| NAME | Irina L Vanechkina |
| GIVEN NAMES | Irina L |
| FAMILY NAME | Vanechkina |
| SIGNATURE | VANECHKINA I L |
| AFFILIATIONS | Institute of Chemistry and Chemical Technology |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 1 |
"On K. Saragev's "Color Hearing
Leonardo - Volume 34, Number 4, August 2001
Was Scriabin a Synesthete
This survey and summary of documentary material on Scriabin's "color hearing" is being presented for consideration by researchers studying his ideas of light-music synthesis. On the basis of their analysis, the authors conclude that the nature of Scriabin's "color-tonal" analogies was associative, i.e. psychological; accordingly, the existing belief that Scriabin was a distinctive, unique "synesthete" who really saw the sounds of music-that is, l…
Scriabin Celebrations in Moscow
Music in the World of the Arts
Prometheus: Scriabin + Kandinsky
In Commemoration of R. Zaripov
Applications of New Technologies in Culture and Art
Irina L. Vanechkina, Teatrlanaya 3-3, Kazan 420111, Russia. ideas-of including light in the musical piece Alilluya, by contemporary composer S. Gubaidullina. There were several reports on another seminar devoted to computer-supported simulation of music (by M. Zalivadny from St. Petersburg, M. Rytvinskaya and S. Bryuno from Kazan). All the speakers on this topic emphasized with pleasure that Kazan scientists R. Zaripov and R. Bukharayev were the …
"Musical Graphics" as an Instrument for Musicologists and Educators
Irina L. Vanechkina, "Musical Graphics" as an Instrument for Musicologists and Educators, Leonardo, Vol. 27, No. 5, Prometheus: Art, Science and Technology in the Former Soviet Union: Special Issue (1994), pp. 437-439
Music in the Family of the Muses
Was Scriabin a Synesthete
This survey and summary of documentary material on Scriabin's "color hearing" is being presented for consideration by researchers studying his ideas of light-music synthesis. On the basis of their analysis, the authors conclude that the nature of Scriabin's "color-tonal" analogies was associative, i.e. psychological; accordingly, the existing belief that Scriabin was a distinctive, unique "synesthete" who really saw the sounds of music-that is, l…
"On K. Saragev's "Color Hearing
Leonardo - Volume 34, Number 4, August 2001
Prometheus: Scriabin + Kandinsky
"Musical Graphics" as an Instrument for Musicologists and Educators
Irina L. Vanechkina, "Musical Graphics" as an Instrument for Musicologists and Educators, Leonardo, Vol. 27, No. 5, Prometheus: Art, Science and Technology in the Former Soviet Union: Special Issue (1994), pp. 437-439
Music in the Family of the Muses
Applications of New Technologies in Culture and Art
Irina L. Vanechkina, Teatrlanaya 3-3, Kazan 420111, Russia. ideas-of including light in the musical piece Alilluya, by contemporary composer S. Gubaidullina. There were several reports on another seminar devoted to computer-supported simulation of music (by M. Zalivadny from St. Petersburg, M. Rytvinskaya and S. Bryuno from Kazan). All the speakers on this topic emphasized with pleasure that Kazan scientists R. Zaripov and R. Bukharayev were the …
In Commemoration of R. Zaripov
Scriabin Celebrations in Moscow
Music in the World of the Arts
Prometheus: Scriabin + Kandinsky
"On K. Saragev's "Color Hearing
Leonardo - Volume 34, Number 4, August 2001
Was Scriabin a Synesthete
This survey and summary of documentary material on Scriabin's "color hearing" is being presented for consideration by researchers studying his ideas of light-music synthesis. On the basis of their analysis, the authors conclude that the nature of Scriabin's "color-tonal" analogies was associative, i.e. psychological; accordingly, the existing belief that Scriabin was a distinctive, unique "synesthete" who really saw the sounds of music-that is, l…
Art (9 works) · Visual arts (6 works) · Computer Science (3 works) · Diverse Musicological Studies (2 works) · Historical and Literary Studies (2 works) · Musicology and Musical Analysis (2 works) · Acoustics (1 works) · Advanced Data Processing Techniques (1 works) · Algorithm (1 works) · Ancient history (1 works)