Was Scriabin a Synesthete
Bibliographic Data
| ID | 3204800 |
|---|---|
| Authors | Bulat M Galeyev (Institute of Chemistry and Chemical Technology), Irina L Vanechkina (Institute of Chemistry and Chemical Technology) |
| Year | 2001 |
| Volume | 34 |
| Issue | 4 |
| Pages | 357-361 |
| Publication date | 2001-08-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Leonardo (JOURNAL) |
| Journal identifiers | ISSN: 0024-094X • E-ISSN: 1530-9282 |
| Publisher | MIT Press - Journals (PUBLISHER) |
| DOI | 10.1162/00240940152549357 |
| OpenAlex | W2099477890 |
| Language | EN |
| Citations received | 5 |
| References cited | 3 |
This survey and summary of documentary material on Scriabin's "color hearing" is being presented for consideration by researchers studying his ideas of light-music synthesis. On the basis of their analysis, the authors conclude that the nature of Scriabin's "color-tonal" analogies was associative, i.e. psychological; accordingly, the existing belief that Scriabin was a distinctive, unique "synesthete" who really saw the sounds of music-that is, literally had an ability for "co-sensations"-is placed in doubt
Art · Cognitive science · Visual arts · Ancient Mediterranean Archaeology and History · Historical and Literary Studies · Multisensory perception and integration · Psychology
The prevalence of synaesthesia depends on early language learning
Sensory translation between audition and vision
(Post‐)Tonal Key Relationships in Scriabin's Late Music
The Nature and Functions of Synesthesia in Music
Are “Cognitive Fossils” Significant for Art? Studies of Synesthesia in Normal and Abnormal Cases
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,24 |
| Citation span | 2005 - 2024 (20) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 5 |