Antonio Urquízar-Herrera
Biographic Data
| ID | 5920053 |
|---|---|
| NAME | Antonio Urquízar-Herrera |
| GIVEN NAMES | Antonio |
| FAMILY NAME | Urquízar-Herrera |
| SIGNATURE | URQUÍZAR-HERRERA A |
| AFFILIATIONS | Department of History of Art, Universidad Nacional de Educación a Distancia (UNED), Madrid, Spain |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
A forger’s cabinet at religious and familial crossroads
This paper examines the case of Juan de Flores and his cabinet of falsified antiquities in eighteenth-century Granada. It explores the role of his collection as an intended source for the writing of history, familial social advancement and, ultimately, a judicial process. Flores actively promoted his forgeries, documenting them through notarial records and engraved reproductions, which paradoxically fuelled both curiosity and scepticism. The stud…
Murillo
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Jews and Muslims Made Visible in Christian Iberia and Beyond, 14th to 18th Centuries
This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite differen…
Memory and taste in the collections and households of the Spanish nobility (nineteenth and early twentieth centuries)
“Albeit democratic, their coat of arms has pride of place”. Thus Romualdo Nogués defined, in 1890, Spanish collectors of bourgeois origin who had joined the ranks of the aristocracy. A few years later, in 1924, the Duke of Alba’s maiden speech at the Academia de Bellas Artes de San Fernando justified his personal artistic worthiness on the basis of his ancestors’ collecting activities and the artworks they had amassed.These two examples set the s…
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Jews and Muslims Made Visible in Christian Iberia and Beyond, 14th to 18th Centuries
This volume aims to show through various case studies how the interrelations between Jews, Muslims and Christians in Iberia were negotiated in the field of images, objects and architecture during the Later Middle Ages and Early Modernity. . By looking at the ways pre-modern Iberians envisioned diversity, we can reconstruct several stories, frequently interwoven with devotional literature, poetry or Inquisitorial trials, and usually quite differen…
Memory and taste in the collections and households of the Spanish nobility (nineteenth and early twentieth centuries)
“Albeit democratic, their coat of arms has pride of place”. Thus Romualdo Nogués defined, in 1890, Spanish collectors of bourgeois origin who had joined the ranks of the aristocracy. A few years later, in 1924, the Duke of Alba’s maiden speech at the Academia de Bellas Artes de San Fernando justified his personal artistic worthiness on the basis of his ancestors’ collecting activities and the artworks they had amassed.These two examples set the s…
Murillo
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
A forger’s cabinet at religious and familial crossroads
This paper examines the case of Juan de Flores and his cabinet of falsified antiquities in eighteenth-century Granada. It explores the role of his collection as an intended source for the writing of history, familial social advancement and, ultimately, a judicial process. Flores actively promoted his forgeries, documenting them through notarial records and engraved reproductions, which paradoxically fuelled both curiosity and scepticism. The stud…
Art (3 works) · Historical Art and Architecture Studies (3 works) · Historical Studies of Medieval Iberia (3 works) · History (3 works) · Art history (2 works) · History (2 works) · Psychology (2 works) · Ancient history (1 work) · Aristocracy (class (1 work) · Aura (1 work)