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Memory and taste in the collections and households of the Spanish nobility (nineteenth and early twentieth centuries)

An introduction to the topic with some notes on the house of Osuna and the origins of the period room

Bibliographic Data

ID12698876
AuthorsAntonio Urquízar-Herrera (Department of History of Art, Universidad Nacional de Educación a Distancia (UNED), Madrid, Spain, corresponding author)
Year2019
Volume25
Issue2
Pages181-209
Publication date2019-05-04
Open AccessNo
TypeARTICLE
VenueJournal of Iberian & Latin American Studies (JOURNAL)
Journal identifiersISSN: 1469-9524 • E-ISSN: 1470-1847
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/14701847.2019.1632028
OpenAlexW2957803420
LanguageEN
Citations received1
References cited10

“Albeit democratic, their coat of arms has pride of place”. Thus Romualdo Nogués defined, in 1890, Spanish collectors of bourgeois origin who had joined the ranks of the aristocracy. A few years later, in 1924, the Duke of Alba’s maiden speech at the Academia de Bellas Artes de San Fernando justified his personal artistic worthiness on the basis of his ancestors’ collecting activities and the artworks they had amassed.These two examples set the scene for the research questions studied in this monographic issue. The present introduction offers a bird’s eye view of the phenomenon and continues with a few remarks about the House of Osuna which, as is well known, occupied a pivotal position in Spanish nobility during the whole of the second half of the nineteenth century

Aristocracy (class · Art · Art history · Bourgeoisie · Nobility · Political science · Politics · Pride · Taste · Visual arts · Classics · Historical Art and Architecture Studies · Historical Studies of Medieval Iberia · History · Law · Psychology · Urbanism, Landscape, and Tourism Studies

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Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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