Andrew J Power
Biographic Data
| ID | 5921379 |
|---|---|
| NAME | Andrew J Power |
| GIVEN NAMES | Andrew J |
| FAMILY NAME | Power |
| SIGNATURE | POWER A J |
| AFFILIATIONS | University of Sharjah |
| ORCID | 0000-0001-6722-5923 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Properties of Death on and Under the Early Modern Stage
The subversive subtext of Shakespearean allusion in Sheridan LeFanu’s ‘Carmilla’
Early on in J. Sheridan LeFanu’s ‘Carmilla’, Laura’s father rattles off the opening lines of Shakespeare’s The Merchant of Venice (p.14; 1.1.1-4). It is the most obvious but not the only allusion to Shakespeare in LeFanu’s gothic tale. This article identifies a handful of further references, notably to Cleopatra and Ophelia, and to instances of disguise in The Taming of the Shrew and Romeo and Juliet , and to cross dressing in Twelfth Night . It …
Encountering the Foreign in Alice in Wonderland and its Arabic Translations
This study examines Lewis Carroll’s Alice through the cultural glass of the Arabic translations of Alice in Wonderland by Amira Kiwan (2003), Shakir Nasr Al Deen (2012), Siham Bint Saniya (2013), and Nadia Al Kholy (2013), and of Through the Looking-Glass by Siham Bint Saniya (2013). It seeks to explore the engagement of several issues of language and meaning, and of foreignness and otherness, in both Alice in Wonderland and Through the Looking-G…
Humor in the Arabic comedy show, N2O
This study examines verbal humor in the Jordanian stand-up comedy show N2O. It identifies and analyzes how conversational maxims are flouted to create humor. To achieve this aim, 60 seven-minute episodes were taken from the channel of the show. The study showed that comedians flouted the maxims of quantity, quality, relevance and manner to create humor, aiming to make the audience look for implicature. It was also found that the maxims of quantit…
John Lowin and the English Theatre, 1603–1647
John Lowin and the English Theatre, 1603–1647: Acting and Cultural Politics on the Jacobean and Caroline Stage. Barbara Wooding. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2013. xiii + 210 pp. $99.95. - Volume 68 Issue 3
Late Shakespeare, 1608–1613
In fourteen specially commissioned chapters by leading Shakespeare scholars from around the globe, Late Shakespeare, 1608–1613 provides an essential reappraisal of the final phase of Shakespeare's writing life. Arranged for the first time in the best-established chronological sequence, Shakespeare's last seven extant plays are discussed in detail in dedicated chapters, from Pericles to the other late co-authored works, King Henry VIII and The Two…
Late Shakespeare, 1608-1613
No prominent works on this page.
Late Shakespeare, 1608–1613
In fourteen specially commissioned chapters by leading Shakespeare scholars from around the globe, Late Shakespeare, 1608–1613 provides an essential reappraisal of the final phase of Shakespeare's writing life. Arranged for the first time in the best-established chronological sequence, Shakespeare's last seven extant plays are discussed in detail in dedicated chapters, from Pericles to the other late co-authored works, King Henry VIII and The Two…
Late Shakespeare, 1608-1613
John Lowin and the English Theatre, 1603–1647
John Lowin and the English Theatre, 1603–1647: Acting and Cultural Politics on the Jacobean and Caroline Stage. Barbara Wooding. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2013. xiii + 210 pp. $99.95. - Volume 68 Issue 3
Humor in the Arabic comedy show, N2O
This study examines verbal humor in the Jordanian stand-up comedy show N2O. It identifies and analyzes how conversational maxims are flouted to create humor. To achieve this aim, 60 seven-minute episodes were taken from the channel of the show. The study showed that comedians flouted the maxims of quantity, quality, relevance and manner to create humor, aiming to make the audience look for implicature. It was also found that the maxims of quantit…
Encountering the Foreign in Alice in Wonderland and its Arabic Translations
This study examines Lewis Carroll’s Alice through the cultural glass of the Arabic translations of Alice in Wonderland by Amira Kiwan (2003), Shakir Nasr Al Deen (2012), Siham Bint Saniya (2013), and Nadia Al Kholy (2013), and of Through the Looking-Glass by Siham Bint Saniya (2013). It seeks to explore the engagement of several issues of language and meaning, and of foreignness and otherness, in both Alice in Wonderland and Through the Looking-G…
The subversive subtext of Shakespearean allusion in Sheridan LeFanu’s ‘Carmilla’
Early on in J. Sheridan LeFanu’s ‘Carmilla’, Laura’s father rattles off the opening lines of Shakespeare’s The Merchant of Venice (p.14; 1.1.1-4). It is the most obvious but not the only allusion to Shakespeare in LeFanu’s gothic tale. This article identifies a handful of further references, notably to Cleopatra and Ophelia, and to instances of disguise in The Taming of the Shrew and Romeo and Juliet , and to cross dressing in Twelfth Night . It …
Properties of Death on and Under the Early Modern Stage
Art (5 works) · Literature (5 works) · History (3 works) · Art history (2 works) · Law (2 works) · Linguistics (2 works) · Literature: history, themes, analysis (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works)