David Archibald
Biographic Data
| ID | 5935719 |
|---|---|
| NAME | David Archibald |
| GIVEN NAMES | David |
| FAMILY NAME | Archibald |
| SIGNATURE | ARCHIBALD D |
| AFFILIATIONS | University of Glasgow |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 2 |
Ken Loach: The Politics of Film and Television
Two main features characterize Ken Loach's film and television output: a commitment to a radical, even revolutionary, political agenda, and formal qualities (descriptions range from ‘naturalist’ or ‘social realist’ to the pejorative ‘kitchen-sink’ or ‘miserabilist’) developed out of a unique filmmaking approach combining linear shooting, the employment of natural lighting and casting nonprofessional actors. John Hill's book-length study of Loach'…
Full-spectacle dominance? An analysis of the Israeli state’s attempts to control media images of the 2010 Gaza flotilla
This article analyses the Israeli state’s attempts to control the images employed during the reporting of the Israeli navy’s interception of a flotilla of ships carrying humanitarian aid to Palestine on 31 May 2010. In the ensuing 48 hours, widespread use of footage released by the Israeli Defense Forces (IDF) ensured that the Israeli state’s narrative dominated western reporting of the event. The authors coin the term ‘full-spectacle dominance’ …
From Rennes to Toronto: Anatomy of a boycott
The introduction of a new ‘Cities’ sidebar focusing on Tel Aviv provoked a fierce, divisive and highly public controversy at the 2009 Toronto International Film Festival (TIFF). Sponsored by the Israeli government's Brand Israel campaign, the sidebar featured ten films set in Israel's administrative capital and, while none of the films was, in itself, especially controversial, the premiss – that a major international film festival would accept mo…
The Film Festivals dossier: Introduction
Journal Article The Film Festivals dossier: Introduction Get access David Archibald, David Archibald [email protected] Search for other works by this author on: Oxford Academic Google Scholar Mitchell Miller Mitchell Miller Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 52, Issue 2, Summer 2011, Pages 249–252, https://doi.org/10.1093/screen/hjr013 Published: 01 July 2011
Full-spectacle dominance? An analysis of the Israeli state’s attempts to control media images of the 2010 Gaza flotilla
This article analyses the Israeli state’s attempts to control the images employed during the reporting of the Israeli navy’s interception of a flotilla of ships carrying humanitarian aid to Palestine on 31 May 2010. In the ensuing 48 hours, widespread use of footage released by the Israeli Defense Forces (IDF) ensured that the Israeli state’s narrative dominated western reporting of the event. The authors coin the term ‘full-spectacle dominance’ …
From Rennes to Toronto: Anatomy of a boycott
The introduction of a new ‘Cities’ sidebar focusing on Tel Aviv provoked a fierce, divisive and highly public controversy at the 2009 Toronto International Film Festival (TIFF). Sponsored by the Israeli government's Brand Israel campaign, the sidebar featured ten films set in Israel's administrative capital and, while none of the films was, in itself, especially controversial, the premiss – that a major international film festival would accept mo…
From Rennes to Toronto: Anatomy of a boycott
The introduction of a new ‘Cities’ sidebar focusing on Tel Aviv provoked a fierce, divisive and highly public controversy at the 2009 Toronto International Film Festival (TIFF). Sponsored by the Israeli government's Brand Israel campaign, the sidebar featured ten films set in Israel's administrative capital and, while none of the films was, in itself, especially controversial, the premiss – that a major international film festival would accept mo…
The Film Festivals dossier: Introduction
Journal Article The Film Festivals dossier: Introduction Get access David Archibald, David Archibald [email protected] Search for other works by this author on: Oxford Academic Google Scholar Mitchell Miller Mitchell Miller Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 52, Issue 2, Summer 2011, Pages 249–252, https://doi.org/10.1093/screen/hjr013 Published: 01 July 2011
Full-spectacle dominance? An analysis of the Israeli state’s attempts to control media images of the 2010 Gaza flotilla
This article analyses the Israeli state’s attempts to control the images employed during the reporting of the Israeli navy’s interception of a flotilla of ships carrying humanitarian aid to Palestine on 31 May 2010. In the ensuing 48 hours, widespread use of footage released by the Israeli Defense Forces (IDF) ensured that the Israeli state’s narrative dominated western reporting of the event. The authors coin the term ‘full-spectacle dominance’ …
Ken Loach: The Politics of Film and Television
Two main features characterize Ken Loach's film and television output: a commitment to a radical, even revolutionary, political agenda, and formal qualities (descriptions range from ‘naturalist’ or ‘social realist’ to the pejorative ‘kitchen-sink’ or ‘miserabilist’) developed out of a unique filmmaking approach combining linear shooting, the employment of natural lighting and casting nonprofessional actors. John Hill's book-length study of Loach'…
Art (4 works) · Law (4 works) · Law (4 works) · Media studies (4 works) · Political science (4 works) · Sociology (4 works) · Politics (3 works) · Art history (2 works) · Cinema and Media Studies (2 works) · History (2 works)