Zoë Shacklock
Biographic Data
| ID | 5936037 |
|---|---|
| NAME | Zoë Shacklock |
| GIVEN NAMES | Zoë |
| FAMILY NAME | Shacklock |
| SIGNATURE | SHACKLOCK Z |
| AFFILIATIONS | University of St Andrews |
| ORCID | 0000-0003-2004-0168 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
The category is
Streaming television is often seen as a progressive space for queer representation, due to the wealth of queer people and stories found across its programmes. Yet for queer people to be seen on streaming television, they must first be made visible at the level of the interface, which determines which programmes are presented to users and in what ways. Through the organisation of the interface, streaming television acts as a discursive formation t…
Queer kinaesthesia on television
The evaluation of queer stories on screen revolves around questions of representation and the politics of visibility. Such frameworks reiterate the conflation between truth and image and the dominance of linear narratives of progress, none of which fit very well with the principles of queer theory. Queerness has always been a question of movement and action more than one of static form, and demands evaluative paradigms that can account for its mo…
On (Not) Watching Outlander in the United Kingdom
The cultural proximity thesis states that in a world of transnational media flow, audiences continue to prefer content situated within their local frames of reference. Yet the means through which such content is distributed and accessed can also be sites for cultural proximity. This paper explores how television distribution practices can create transnational meanings through a discussion of the contemporary television series Outlander’s controve…
Queer kinaesthesia on television
The evaluation of queer stories on screen revolves around questions of representation and the politics of visibility. Such frameworks reiterate the conflation between truth and image and the dominance of linear narratives of progress, none of which fit very well with the principles of queer theory. Queerness has always been a question of movement and action more than one of static form, and demands evaluative paradigms that can account for its mo…
On (Not) Watching Outlander in the United Kingdom
The cultural proximity thesis states that in a world of transnational media flow, audiences continue to prefer content situated within their local frames of reference. Yet the means through which such content is distributed and accessed can also be sites for cultural proximity. This paper explores how television distribution practices can create transnational meanings through a discussion of the contemporary television series Outlander’s controve…
Queer kinaesthesia on television
The evaluation of queer stories on screen revolves around questions of representation and the politics of visibility. Such frameworks reiterate the conflation between truth and image and the dominance of linear narratives of progress, none of which fit very well with the principles of queer theory. Queerness has always been a question of movement and action more than one of static form, and demands evaluative paradigms that can account for its mo…
The category is
Streaming television is often seen as a progressive space for queer representation, due to the wealth of queer people and stories found across its programmes. Yet for queer people to be seen on streaming television, they must first be made visible at the level of the interface, which determines which programmes are presented to users and in what ways. Through the organisation of the interface, streaming television acts as a discursive formation t…
Art (3 works) · Media studies (2 works) · Sociology (2 works) · Aesthetics (1 work) · Asian Culture and Media Studies (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work) · Dance (1 work) · Digital Games and Media (1 work) · Gender Studies (1 work)