Bettina Henzler
Biographic Data
| ID | 5936221 |
|---|---|
| NAME | Bettina Henzler |
| GIVEN NAMES | Bettina |
| FAMILY NAME | Henzler |
| SIGNATURE | HENZLER B |
| AFFILIATIONS | University of Bremen |
| ORCID | 0000-0003-1318-9394 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Affektive Landschaften: Zur Bedeutung der synästhetischen Wahrnehmung in der Filmvermittlung
Der Artikel diskutiert das pädagogische Potential einer Auseinandersetzung mit den synästhetischen Aspekten der filmischen Montage von Sound, Musik und Bewegtbild. Auf Basis der phänomenologischen Filmtheorie und einer Analyse von filmischen Landschaftsaufnahmen werden Aspekte des Realitätseindrucks, der Imagination, Emotion und Kommentierung auf synästhetische Wahrnehmungen zurückgeführt. The article examines the synesthetic aspects of the cinem…
Child spectators: Towards a phenomenological perspective on the imaginary transformations of reality
This paper establishes the motif of ‘child spectators’ within the self-reflexive tradition of modern European cinema since the 1940s and within discourses on the affinity of childhood and cinema, dating back to the beginning of the twentieth century. Through a close reading of The spirit of the beehive (Víctor Erice, 1973) and Jacquot de Nantes (Agnès Varda, 1991) that deals with the impact of the cinema experience on a child’s life, I analyze ho…
Shifting perspectives: The child as mediator in New German Cinema
The significance of children in New German Cinema has rarely been explored, even though some of the movement’s most famous films – including Die Blechtrommel/The Tin Drum, Volker Schlöndorff, 1979), Deutschland, bleiche Mutter/Germany, Pale Mother (Helma Sanders-Brahms, 1980) and Paris, Texas (Wim Wenders, 1984) – feature children as their main protagonists. Childhood is a recurring theme in the work of well-known directors such as Wenders, Sande…
No prominent works on this page.
Shifting perspectives: The child as mediator in New German Cinema
The significance of children in New German Cinema has rarely been explored, even though some of the movement’s most famous films – including Die Blechtrommel/The Tin Drum, Volker Schlöndorff, 1979), Deutschland, bleiche Mutter/Germany, Pale Mother (Helma Sanders-Brahms, 1980) and Paris, Texas (Wim Wenders, 1984) – feature children as their main protagonists. Childhood is a recurring theme in the work of well-known directors such as Wenders, Sande…
Child spectators: Towards a phenomenological perspective on the imaginary transformations of reality
This paper establishes the motif of ‘child spectators’ within the self-reflexive tradition of modern European cinema since the 1940s and within discourses on the affinity of childhood and cinema, dating back to the beginning of the twentieth century. Through a close reading of The spirit of the beehive (Víctor Erice, 1973) and Jacquot de Nantes (Agnès Varda, 1991) that deals with the impact of the cinema experience on a child’s life, I analyze ho…
Affektive Landschaften: Zur Bedeutung der synästhetischen Wahrnehmung in der Filmvermittlung
Der Artikel diskutiert das pädagogische Potential einer Auseinandersetzung mit den synästhetischen Aspekten der filmischen Montage von Sound, Musik und Bewegtbild. Auf Basis der phänomenologischen Filmtheorie und einer Analyse von filmischen Landschaftsaufnahmen werden Aspekte des Realitätseindrucks, der Imagination, Emotion und Kommentierung auf synästhetische Wahrnehmungen zurückgeführt. The article examines the synesthetic aspects of the cinem…
Art (2 works) · Movie theater (2 works) · Philosophy (2 works) · Aesthetics (1 works) · Art history (1 works) · Art, Aesthetics, and Perception (1 works) · Cinema and Media Studies (1 works) · Cinema History and Criticism (1 works) · Context (archaeology (1 works) · Democracy (1 works)