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Child spectators

Towards a phenomenological perspective on the imaginary transformations of reality

Bibliographic Data

ID21783380
AuthorsBettina Henzler (0000-0003-1318-9394, University of Bremen, corresponding author)
Year2023
Volume21
Issue3
Pages451-478
Publication date2023-07-03
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNew Review of Film and Television Studies (JOURNAL)
Journal identifiersISSN: 1740-0309 • E-ISSN: 1740-7923
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/17400309.2023.2176156
OpenAlexW4327956438
LanguageEN
Citations received2
References cited15

This paper establishes the motif of ‘child spectators’ within the self-reflexive tradition of modern European cinema since the 1940s and within discourses on the affinity of childhood and cinema, dating back to the beginning of the twentieth century. Through a close reading of The spirit of the beehive (Víctor Erice, 1973) and Jacquot de Nantes (Agnès Varda, 1991) that deals with the impact of the cinema experience on a child’s life, I analyze how this motif stages spectatorship, cinephilia, and filmmaking. First, I show how these films reflect on the impact of film experience and the process of film education as based on the existential being described by phenomenology. Second, I argue that this motif implies specific aesthetic strategies that are often linked to childhood and cinema. The child spectator calls for the understanding of childhood as a film aesthetical category and invites us to engage in a distinctive form of spectatorship. If the children in these films represent and address the phenomenological dimension of film experience, they also invite us, third, to reconsider aspects rarely addressed by phenomenology, especially the integration of imagination and materiality in film experience, and the interdependence of film experience and education

Aesthetics · Art · Epistemology · Existentialism · Film theory · Filmmaking · Movie theater · Psychoanalysis · Reflexivity · Social science · Sociology · The Imaginary · Visual arts · Cinema and Media Studies · Cinema History and Criticism · Philosophy · Psychology · Visual Culture and Art Theory

  • Childhood, memory and cinephilia in the work of Víctor Erice

    Open Access•Carlos Fernández Rodríguez, Sofía López Hernández•Communication & Society•2025

  • The Elusive Killer in Didactic Cinema

    Brent Yergensen•Canadian Review of American Studies•2024

  • The Address of the Eye

    Open Access•Vivian Sobchack•Address of the Eye•1992

  • Shifting perspectives

    Open Access•Bettina Henzler•Screen•2018

  • Early cinema as child

    Dimitris Eleftheriotis•Screen•2005

  • Children, emotion and viewing in contemporary European film

    Emily Wilson•Screen•2005

  • L'Homme ordinaire du cinema

    Paul Smith, Jean Louis Schefer•SubStance•1983

Unique citing works2
Citations per year1
Citation span2024 - 2025 (2)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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