Gwyneth Cliver
Biographic Data
| ID | 5936721 |
|---|---|
| NAME | Gwyneth Cliver |
| GIVEN NAMES | Gwyneth |
| FAMILY NAME | Cliver |
| SIGNATURE | CLIVER G |
| AFFILIATIONS | University of Nebraska at Omaha |
| ORCID | 0009-0007-0754-793X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Das Emanzipatorische Potenzial der Performance Art (The Emancipatory Potential of Peformance Art) - English
English Version: Sophia Firgau’s Das Emanzipatorische Potenzial der Performance Art (The Emancipatory Potential of Performance Art) is both a helpful introduction to performance art that could be well employed in both undergraduate and graduate classrooms, and a convincing scholarly argument for the transformative power of performance aesthetics. Firgau defines the genre of performance art, distinguishes it from both theater and public ritual per…
A Companion to the Works of Hermann Broch
Covers the major modernist literary works of Broch and constitutes the first comprehensive introduction in English to his political, cultural, aesthetic, and philosophical writings. Hermann Broch (1886-1951) is best known for his two major modernist works, The Sleepwalkers (3 vols., 1930-1932) and The Death of Virgil (1945), which frame a lifetime of ethical, cultural, political, and social thought. A textile manufacturer by trade, Broch entered …
Landscapes of the Mind
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Landscapes of the Mind
A Companion to the Works of Hermann Broch
Covers the major modernist literary works of Broch and constitutes the first comprehensive introduction in English to his political, cultural, aesthetic, and philosophical writings. Hermann Broch (1886-1951) is best known for his two major modernist works, The Sleepwalkers (3 vols., 1930-1932) and The Death of Virgil (1945), which frame a lifetime of ethical, cultural, political, and social thought. A textile manufacturer by trade, Broch entered …
Das Emanzipatorische Potenzial der Performance Art (The Emancipatory Potential of Peformance Art) - English
English Version: Sophia Firgau’s Das Emanzipatorische Potenzial der Performance Art (The Emancipatory Potential of Performance Art) is both a helpful introduction to performance art that could be well employed in both undergraduate and graduate classrooms, and a convincing scholarly argument for the transformative power of performance aesthetics. Firgau defines the genre of performance art, distinguishes it from both theater and public ritual per…
Aesthetics (2 works) · Art (2 works) · German Literature and Culture Studies (2 works) · Aesthetic theory (1 work) · Art history (1 work) · Art, Aesthetics, and Perception (1 work) · Arts, Culture, and Music Studies (1 work) · Austrian literature (1 work) · Cartography (1 work) · Contemporary art (1 work)