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Das Emanzipatorische Potenzial der Performance Art (The Emancipatory Potential of Peformance Art) - English

Bibliographic Data

ID22005255
AuthorsGwyneth Cliver (0009-0007-0754-793X, corresponding author)
Year2020
Volume10
Issue1
Publication date2020-11-01
Open AccessNo
TypeARTICLE
VenueInternational Dialogue (JOURNAL)
Journal identifiersISSN: 2155-160X • E-ISSN: 2155-160X
PublisherUniversity of Nebraska Consortium of Libraries - UNCL (PUBLISHER)
DOI10.32873/uno.dc.id.10.1.1180
OpenAlexW4285617329
LanguageEN

English Version: Sophia Firgau’s Das Emanzipatorische Potenzial der Performance Art (The Emancipatory Potential of Performance Art) is both a helpful introduction to performance art that could be well employed in both undergraduate and graduate classrooms, and a convincing scholarly argument for the transformative power of performance aesthetics. Firgau defines the genre of performance art, distinguishes it from both theater and public ritual performance, and explains the potential for personal, community, and civic transformation inherent in its formal characteristics. Firgau demonstrates that performance art transforms by crossing a number of conventional formal boundaries—for instance, those separating artist and audience and separating art and everyday life—and that, in so doing, it creates a threshold experience (Schwellenerfahrung) whose liminal nature emancipates by emphasizing process over prescribed outcomes

Aesthetics · Art · Art history · Contemporary art · Liminality · Pedagogy · Performance art · Sociology · Transformative learning · Visual arts · Arts, Culture, and Music Studies

Highly citedNo
Open DOIOpen Access
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