Natalia Kaloh Vid
Biographic Data
| ID | 5937221 |
|---|---|
| NAME | Natalia Kaloh Vid |
| GIVEN NAMES | Natalia Kaloh |
| FAMILY NAME | Vid |
| SIGNATURE | VID N K |
| AFFILIATIONS | University of Maribor |
| ORCID | 0000-0002-2367-7319 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Russian Translations of Parodies of Didactic Verses in Alice's Adventures in Wonderland
This study focuses on Carroll's parodies of didactic Victorian poems in twelve Russian translations of Alice's Adventures in Wonderland released over the twentieth century (1924–2000). All parodied verses were well known to Carroll's contemporary readers and this element of recognition was further reinforced by the fact that such poems were learnt by heart and recited. Much of the humour in these parodies is based on a mockery of social protocol …
Prefaces in Soviet translations of Robert Burns’s poetry as ideological tools
This article focuses on the ideological content and function of the prefaces that accompany the translations of foreign literature made in the Soviet Union. The aim of the article is to demonstrate how these translations use paratexts to comply with the target system’s ideological constraints. It shows how the ways in which the Soviet authorities used paratexts to manipulate representations of the author of the source text and the text itself ref…
Sovietisms as cultural, social and historical realia in English retranslations of Bulgakov's The Fatal Eggs
Mikhail Bulgakov's fantastic short story The Fatal Eggs (1925) was translated into English by five translators, Mirra Ginsburg (1964), Kathleen Gook-Horujy (1990), Hugh Aplin (2003), Michael Karpelson (2010), and Roger Cockrell (2011). The emphasis in this research is on the linguistic analysis of the translations of cultural, social and historical realia referred to as Sovietisms , which pertain to items characteristic of Soviet discourse in the…
Translations of Sovietisms
Bulgakov’s novel The Master and Margarita (1966-1967), a highly complex and multi-levelled narrative, is a challenge for any translator. Because Bulgakov’s narrative has been translated into English seven times (twice by the same translator, Glenny), with the first two translations published in the same year, 1967, and the latest in 2008, the novel offers a unique insight into the analysis of translation shifts, not merely from a synchronic, but …
Os desafios na tradução de itens culturais específicos
http://dx.doi.org/10.5007/2175-7968.2016v36n3p140A obra The Master and Margarida de Mikhail Bulgakov, narrativa altamente complexa e com múltiplos níveis, é um desafio para todo tradutor. O foco na presente pesquisa se situa nas estratégias de tradução utilizadas para traduzir os itens culturais específicos, ou os realia históricos, tratados como “Sovietismos” em três traduções da narrativa para o inglês por Glenny (1967), Pevear e Volokhonsky (1…
Retranslations
Роман Михаила Булгакова «Мастер и Маргарита» (1940, 1966)—это многоуровневое произведение, которое очень сложно переводить. Тем не менее роман был переведен на английский язык шесть раз, начиная с первых двух переводов, опубликованных в 1967 году и заканчивая последним на сегодняшний день переводом, сделанным в 2008 году. Такое количество переводов предоставляет уникальную возможность проанализировать переводческие методы не только с синхронной, …
No prominent works on this page.
Os desafios na tradução de itens culturais específicos
http://dx.doi.org/10.5007/2175-7968.2016v36n3p140A obra The Master and Margarida de Mikhail Bulgakov, narrativa altamente complexa e com múltiplos níveis, é um desafio para todo tradutor. O foco na presente pesquisa se situa nas estratégias de tradução utilizadas para traduzir os itens culturais específicos, ou os realia históricos, tratados como “Sovietismos” em três traduções da narrativa para o inglês por Glenny (1967), Pevear e Volokhonsky (1…
Retranslations
Роман Михаила Булгакова «Мастер и Маргарита» (1940, 1966)—это многоуровневое произведение, которое очень сложно переводить. Тем не менее роман был переведен на английский язык шесть раз, начиная с первых двух переводов, опубликованных в 1967 году и заканчивая последним на сегодняшний день переводом, сделанным в 2008 году. Такое количество переводов предоставляет уникальную возможность проанализировать переводческие методы не только с синхронной, …
Translations of Sovietisms
Bulgakov’s novel The Master and Margarita (1966-1967), a highly complex and multi-levelled narrative, is a challenge for any translator. Because Bulgakov’s narrative has been translated into English seven times (twice by the same translator, Glenny), with the first two translations published in the same year, 1967, and the latest in 2008, the novel offers a unique insight into the analysis of translation shifts, not merely from a synchronic, but …
Sovietisms as cultural, social and historical realia in English retranslations of Bulgakov's The Fatal Eggs
Mikhail Bulgakov's fantastic short story The Fatal Eggs (1925) was translated into English by five translators, Mirra Ginsburg (1964), Kathleen Gook-Horujy (1990), Hugh Aplin (2003), Michael Karpelson (2010), and Roger Cockrell (2011). The emphasis in this research is on the linguistic analysis of the translations of cultural, social and historical realia referred to as Sovietisms , which pertain to items characteristic of Soviet discourse in the…
Prefaces in Soviet translations of Robert Burns’s poetry as ideological tools
This article focuses on the ideological content and function of the prefaces that accompany the translations of foreign literature made in the Soviet Union. The aim of the article is to demonstrate how these translations use paratexts to comply with the target system’s ideological constraints. It shows how the ways in which the Soviet authorities used paratexts to manipulate representations of the author of the source text and the text itself ref…
Russian Translations of Parodies of Didactic Verses in Alice's Adventures in Wonderland
This study focuses on Carroll's parodies of didactic Victorian poems in twelve Russian translations of Alice's Adventures in Wonderland released over the twentieth century (1924–2000). All parodied verses were well known to Carroll's contemporary readers and this element of recognition was further reinforced by the fact that such poems were learnt by heart and recited. Much of the humour in these parodies is based on a mockery of social protocol …
Art (6 works) · History (5 works) · Literature (5 works) · Philosophy (5 works) · Translation Studies and Practices (5 works) · Linguistics (4 works) · Sociology (3 works) · Law (2 works) · Poetry (2 works) · Vocabulary (2 works)