Amy R Wong
Biographic Data
| ID | 5960039 |
|---|---|
| NAME | Amy R Wong |
| GIVEN NAMES | Amy R |
| FAMILY NAME | Wong |
| SIGNATURE | WONG A R |
| AFFILIATIONS | Dominican University of California |
| ORCID | 0000-0003-1149-5208 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Heredity's Aesthetic Infrastructures
This essay traces a disjointed aesthetics of hereditary units in Thomas Hardy's Jude the Obscure (1895) and Chinese filmmaker Wang Xiaoshuai's So Long, My Son (2019) and argues that shared social and economic conditions of Victorian Britain and postsocialist China prompt similar ruptures of social realism's totalizing aspirations. The novel and the film are mutually concerned with tragedies of biopolitical management and doomed lineages, but at t…
Victorian media studies, history, and theory
This article gives an account of Victorian media studies as a sub‐field that emerged primarily from investigations of nineteenth‐century communication technologies and the century's accompanying preoccupations with transmission and the idea of in‐betweenness. Owing to unprecedented developments such as the rise of the universal postal system, telegraphy, phonography, photography, and mass print media, historicist inquiries have proven fruitful fo…
No prominent works on this page.
Victorian media studies, history, and theory
This article gives an account of Victorian media studies as a sub‐field that emerged primarily from investigations of nineteenth‐century communication technologies and the century's accompanying preoccupations with transmission and the idea of in‐betweenness. Owing to unprecedented developments such as the rise of the universal postal system, telegraphy, phonography, photography, and mass print media, historicist inquiries have proven fruitful fo…
Heredity's Aesthetic Infrastructures
This essay traces a disjointed aesthetics of hereditary units in Thomas Hardy's Jude the Obscure (1895) and Chinese filmmaker Wang Xiaoshuai's So Long, My Son (2019) and argues that shared social and economic conditions of Victorian Britain and postsocialist China prompt similar ruptures of social realism's totalizing aspirations. The novel and the film are mutually concerned with tragedies of biopolitical management and doomed lineages, but at t…
Art (2 works) · Aesthetics (1 work) · Art history (1 work) · Biology (1 work) · Cinema and Media Studies (1 work) · Communication theory (1 work) · Critical theory (1 work) · Culinary Culture and Tourism (1 work) · Cybernetics and Technology in Society (1 work) · Dialectic (1 work)