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Victorian media studies, history, and theory

Bibliographic Data

ID12880400
AuthorsAmy R Wong (0000-0003-1149-5208, Dominican University of California, corresponding author)
Year2018
Volume15
Issue3
Publication date2018-01-18
Open AccessYes
TypeARTICLE
VenueLiterature Compass (JOURNAL)
Journal identifiersISSN: 1741-4113 • E-ISSN: 1741-4113
PublisherWiley (PUBLISHER • GB)
DOI10.1111/lic3.12438
OpenAlexW2794405878
LanguageEN
References cited23

This article gives an account of Victorian media studies as a sub‐field that emerged primarily from investigations of nineteenth‐century communication technologies and the century's accompanying preoccupations with transmission and the idea of in‐betweenness. Owing to unprecedented developments such as the rise of the universal postal system, telegraphy, phonography, photography, and mass print media, historicist inquiries have proven fruitful for the sub‐field. At the same time, continuities between how Victorians (such as the journalist and editor W. T. Stead) imagined communication's unifying reach across Britain and the globe and twentieth‐century media theory's critique of this same reach have ensured the sub‐field's grounding in theoretical engagements. The second part of the article considers how alternative frameworks for understanding media beyond communication (such as immersion, virtuality, and media archaeology) are currently redefining Victorian media studies in the twenty‐first century, continuing the sub‐field's robust dialectical engagements of history and theory

Art · Art history · Communication theory · Critical theory · Dialectic · Epistemology · Field (mathematics · Globe · Historicism · Literature · Media studies · Media theory · New media · Political science · Sociology · Cinema and Media Studies · Cybernetics and Technology in Society · History · Law · Philosophy · Psychology · Visual Culture and Art Theory

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Highly citedNo

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