R James Goldstein
Biographic Data
| ID | 5987509 |
|---|---|
| NAME | R James Goldstein |
| GIVEN NAMES | R James |
| FAMILY NAME | Goldstein |
| SIGNATURE | GOLDSTEIN R J |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Casting Nets and Burning Temples
This article offers a literary-historical analysis of Jer 43:8-13. The first section of the article addresses two lexical problems in this prophecy: (1) the hapax legomenon שפרירו (v. 10) is explained as an Akkadian loanword meaning »net«; and (2) in light of the fact that in various Semitic languages, verbs with the meaning »to cover,« have the additional meaning »to overwhelm,« the difficult sentence in v. 12b,מצרים ועטה את ארץ, is explained as…
Late Babylonian Letters on Collecting Tablets and Their Hellenistic Background—a Suggestion
The Knightly Tale of Golagros and Gawane. (The Scottish Text Society, 5th ser., 7) . Ralph Hanna , W. R. J. Barron The Chepman and Myllar Prints . Scotland's first printed texts. Digitised facsimiles …
Complete and Full with Numbers
Monsters and Grotesques in Medieval Manuscripts
The margins of medieval manuscripts teem with sirens, satyrs, griffins, unicorns, dragons and other bizarre creatures. Commonplace animals are twisted together in impossible combinations, and human bodies are merged with animal forms in ways that are often both comic and ghastly. Images of these monstrosities pervade art and culture in the Middle Ages, and for medieval pages they must have been a tantalizing suggestion of unknown worlds and unthi…
William Dunbar, "The Nobill Poyet"
Why calle ye hym crist, sipen lewes called hym Iesus?”
“Oh, dear one, the best is yet to come. ... You know who the remnant is, don't you, Chloe?”“The Jews?”“Yes! And in Zion, which is Israel, and Jerusalem, where we know some of our own were, if they call upon the Lord, they will be delivered. Chloe, I don't know how many of us will survive until the Glorious Appearing.”
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Why calle ye hym crist, sipen lewes called hym Iesus?”
“Oh, dear one, the best is yet to come. ... You know who the remnant is, don't you, Chloe?”“The Jews?”“Yes! And in Zion, which is Israel, and Jerusalem, where we know some of our own were, if they call upon the Lord, they will be delivered. Chloe, I don't know how many of us will survive until the Glorious Appearing.”
William Dunbar, "The Nobill Poyet"
Monsters and Grotesques in Medieval Manuscripts
The margins of medieval manuscripts teem with sirens, satyrs, griffins, unicorns, dragons and other bizarre creatures. Commonplace animals are twisted together in impossible combinations, and human bodies are merged with animal forms in ways that are often both comic and ghastly. Images of these monstrosities pervade art and culture in the Middle Ages, and for medieval pages they must have been a tantalizing suggestion of unknown worlds and unthi…
Complete and Full with Numbers
The Knightly Tale of Golagros and Gawane. (The Scottish Text Society, 5th ser., 7) . Ralph Hanna , W. R. J. Barron The Chepman and Myllar Prints . Scotland's first printed texts. Digitised facsimiles …
Late Babylonian Letters on Collecting Tablets and Their Hellenistic Background—a Suggestion
Casting Nets and Burning Temples
This article offers a literary-historical analysis of Jer 43:8-13. The first section of the article addresses two lexical problems in this prophecy: (1) the hapax legomenon שפרירו (v. 10) is explained as an Akkadian loanword meaning »net«; and (2) in light of the fact that in various Semitic languages, verbs with the meaning »to cover,« have the additional meaning »to overwhelm,« the difficult sentence in v. 12b,מצרים ועטה את ארץ, is explained as…
Art (6 works) · History (6 works) · Classics (5 works) · Classics (3 works) · History (3 works) · Philosophy (3 works) · Ancient Egypt and Archaeology (2 works) · Ancient history (2 works) · Medieval Literature and History (2 works) · Philosophy (2 works)