Monsters and Grotesques in Medieval Manuscripts
Bibliographic Data
| ID | 16613359 |
|---|---|
| Authors | R James Goldstein (corresponding author) |
| Year | 2004 |
| Volume | 35 |
| Issue | 1 |
| Pages | 314-315 |
| Publication date | 2004-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Sixteenth Century Journal (JOURNAL) |
| Journal identifiers | ISSN: 0361-0160 • E-ISSN: 2326-0726 |
| Publisher | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.2307/20476931 |
| OpenAlex | W1574035976 |
| Language | EN |
| Citations received | 3 |
The margins of medieval manuscripts teem with sirens, satyrs, griffins, unicorns, dragons and other bizarre creatures. Commonplace animals are twisted together in impossible combinations, and human bodies are merged with animal forms in ways that are often both comic and ghastly. Images of these monstrosities pervade art and culture in the Middle Ages, and for medieval pages they must have been a tantalizing suggestion of unknown worlds and unthinkable dangers. But what were they doing there? Were they meaningless distractions, or did these strange beasts have other symbolic meanings? Alixe Bovey's readable text explains the meaning of these monsters and their place in medieval art
Astrology · Classics · Folklore, Mythology, and Literature Studies · Historical and Architectural Studies · Historical, Religious, and Philosophical Studies · History
| Unique citing works | 3 |
|---|---|
| Citations per year | 0.2 |
| Citation span | 2011 - 2021 (11) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |