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Sylvia Bruinders

Biographic Data

ID6042294
NAMESylvia Bruinders
GIVEN NAMESSylvia
FAMILY NAMEBruinders
SIGNATUREBRUINDERS S
AFFILIATIONSUniversity of Cape Town
ORCID0000-0003-0840-4539
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS4
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Mapping Africa’s musical identities

    Open Access•Sylvia Bruinders, Moses Nii-Dortey•ARTICLE•Critical African Studies•2025•References: 9

  • Sustainability, revitalisation and repatriation

    Open Access•Sylvia Bruinders•ARTICLE•Critical African Studies•2025•References: 4

  • Banding Together in Cape Town and Lagos

    Open Access•Sylvia Bruinder, Sylvia Bruinders et al.•ARTICLE•Yearbook for Traditional Music•2022•Cited by: 1•References: 14

    This article discusses reciprocity in research as engaged scholarship and, more specifically, applied ethnomusicology. It draws on two ethnographic studies and their associated activism in Cape Town, South Africa and Lagos, Nigeria. The article investigates the histories of engaged scholarship and applied ethnomusicology and suggests that each community requires a method of engagement based on its contextual specifics. Hence, the case studies may…

  • Parading respectability

    Open Access•Sylvia Bruinders•ARTICLE•African Music Journal of the…•2010•Cited by: 3

    In my research on the Christmas Bands Movement in the Western Cape (November 2003 to March 2006), which this extract from my field notes speaks to, I have often observed how important it is for the bands to display their respectability and discipline. In this article I investigate how the bands constitute themselves as respectable members of society through disciplinary routines, uniform dress, and military gestures

  • Parading respectability

    Open Access•Sylvia Bruinders•ARTICLE•African Music Journal of the…•2010•Cited by: 3

    In my research on the Christmas Bands Movement in the Western Cape (November 2003 to March 2006), which this extract from my field notes speaks to, I have often observed how important it is for the bands to display their respectability and discipline. In this article I investigate how the bands constitute themselves as respectable members of society through disciplinary routines, uniform dress, and military gestures

  • Banding Together in Cape Town and Lagos

    Open Access•Sylvia Bruinder, Sylvia Bruinders et al.•ARTICLE•Yearbook for Traditional Music•2022•Cited by: 1•References: 14

    This article discusses reciprocity in research as engaged scholarship and, more specifically, applied ethnomusicology. It draws on two ethnographic studies and their associated activism in Cape Town, South Africa and Lagos, Nigeria. The article investigates the histories of engaged scholarship and applied ethnomusicology and suggests that each community requires a method of engagement based on its contextual specifics. Hence, the case studies may…

  • Parading respectability

    Open Access•Sylvia Bruinders•ARTICLE•African Music Journal of the…•2010•Cited by: 3

    In my research on the Christmas Bands Movement in the Western Cape (November 2003 to March 2006), which this extract from my field notes speaks to, I have often observed how important it is for the bands to display their respectability and discipline. In this article I investigate how the bands constitute themselves as respectable members of society through disciplinary routines, uniform dress, and military gestures

  • Banding Together in Cape Town and Lagos

    Open Access•Sylvia Bruinder, Sylvia Bruinders et al.•ARTICLE•Yearbook for Traditional Music•2022•Cited by: 1•References: 14

    This article discusses reciprocity in research as engaged scholarship and, more specifically, applied ethnomusicology. It draws on two ethnographic studies and their associated activism in Cape Town, South Africa and Lagos, Nigeria. The article investigates the histories of engaged scholarship and applied ethnomusicology and suggests that each community requires a method of engagement based on its contextual specifics. Hence, the case studies may…

  • Mapping Africa’s musical identities

    Open Access•Sylvia Bruinders, Moses Nii-Dortey•ARTICLE•Critical African Studies•2025•References: 9

  • Sustainability, revitalisation and repatriation

    Open Access•Sylvia Bruinders•ARTICLE•Critical African Studies•2025•References: 4

Diverse Musicological Studies (3 works) · Music History and Culture (3 works) · Archaeology (2 works) · Art (2 works) · Cape (2 works) · Geography (2 works) · Law (2 works) · Musical (2 works) · Political science (2 works) · Sociology (2 works)

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