Mapping Africa’s musical identities
Perspectives from a few Anglophone countries
Bibliographic Data
| ID | 13004142 |
|---|---|
| Authors | Sylvia Bruinders (0000-0003-0840-4539, University of Cape Town, corresponding author), Moses Nii-Dortey (University of Ghana) |
| Year | 2025 |
| Volume | 18 |
| Issue | 2 |
| Pages | 1-9 |
| Publication date | 2025-10-17 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Critical African Studies (JOURNAL) |
| Journal identifiers | ISSN: 2040-7211 • E-ISSN: 2168-1392 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/21681392.2025.2566064 |
| OpenAlex | W4415299165 |
| Language | EN |
| Citations received | 1 |
| References cited | 18 |
Discourse analysis · Field (mathematics · Musical · Diverse Musicological Studies · Music History and Culture · Musicology and Musical Analysis
Africa and the disciplines
Tanzaphilia
Mapping the Futures
Representing African Music
Tonality as a Colonizing Force in Africa
Representing African Music
Continental Musicology
Ethnomusicology, the Music Canon, and African Music
Bubbles, Tracks, Borders and Lines
The African Idiom in Music
Mapping Music
African Negro Music
The Culture Areas of Africa
| Citations per year | 1 |
|---|---|
| Citation span | 2025 - 2025 (1) |
| Highly cited | No |