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Thomas R P Coward

Biographic Data

ID6048703
NAMEThomas R P Coward
GIVEN NAMESThomas R P
FAMILY NAMECoward
SIGNATURECOWARD T R P
AFFILIATIONSCa’ Foscari University, Venice, Italy
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS3
WORKS AS AUTHOR2
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2021
H-INDEX1
  • A checklist of the testimonia and fragments of Didymus

    Open Access•Thomas R P Coward, Enrico Emanuele Prodi•ARTICLE•Bulletin of the Institute of…•2021

    This Checklist aims to collect the testimonia to Didymus’ life and references to all extant fragments of his works. It is not, and could not have been, a proper edition to supersede the one published by Moritz Schmidt in 1854; the latter endeavour we leave to guts more brazen than ours. But we believe that a Checklist of fragments, organised by works, will be a useful instrument for those working on Didymus in the interim. Scholars will be able t…

  • Chapter Three Didymus on Attic tragedy

    Open Access•Thomas R P Coward•ARTICLE•Bulletin of the Institute of…•2021

    This chapter examines Didymus’ studies on Greek tragedy, in particular on Sophocles and Ion of Chios. It demonstrates Didymus’ methods of exegesis and his use of other exegetical corpora. It explains the thinking behind some of his choices and preferences, including the mistakes. Furthermore, it examines the problems of identifying Didymean material where Didymus is not named

  • Paths of Song

    Thomas Coward, Paths of Song: Interactions between Greek Lyric and Tragedy…•EDITOR•BOOK•Paths of Song•2018•Cited by: 3

    Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and p…

  • Paths of Song

    Thomas Coward, Paths of Song: Interactions between Greek Lyric and Tragedy…•EDITOR•BOOK•Paths of Song•2018•Cited by: 3

    Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and p…

  • Paths of Song

    Thomas Coward, Paths of Song: Interactions between Greek Lyric and Tragedy…•EDITOR•BOOK•Paths of Song•2018•Cited by: 3

    Paths of Song: The Lyric Dimension of Greek Tragedy analyzes the multiple and varied evocations of choral lyric in fifth-century Greek tragedy using a variety of methodological approaches that illustrate the myriad forms through which lyric is present and can be presented in tragedy. This collection focuses on different types of interaction of Greek tragedy with lyric poetry in fifth-century Athens: generic, mythological, cultural, musical, and p…

  • A checklist of the testimonia and fragments of Didymus

    Open Access•Thomas R P Coward, Enrico Emanuele Prodi•ARTICLE•Bulletin of the Institute of…•2021

    This Checklist aims to collect the testimonia to Didymus’ life and references to all extant fragments of his works. It is not, and could not have been, a proper edition to supersede the one published by Moritz Schmidt in 1854; the latter endeavour we leave to guts more brazen than ours. But we believe that a Checklist of fragments, organised by works, will be a useful instrument for those working on Didymus in the interim. Scholars will be able t…

  • Chapter Three Didymus on Attic tragedy

    Open Access•Thomas R P Coward•ARTICLE•Bulletin of the Institute of…•2021

    This chapter examines Didymus’ studies on Greek tragedy, in particular on Sophocles and Ion of Chios. It demonstrates Didymus’ methods of exegesis and his use of other exegetical corpora. It explains the thinking behind some of his choices and preferences, including the mistakes. Furthermore, it examines the problems of identifying Didymean material where Didymus is not named

Classical Antiquity Studies (2 works) · History (2 works) · Archaeology (1 work) · Art (1 work) · Attic (1 work) · Attribution (1 work) · Biology (1 work) · Checklist (1 work) · Chemistry (1 work) · Classical Philosophy and Thought (1 work)

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